| Maxine’s Turing test–a player-program as co-ethnographer of socio-aesthetic interaction in improvised music R Banerji Eighth Artificial Intelligence and Interactive Digital Entertainment Conference, 2012 | 15 | 2012 |
| De-instrumentalizing hci: Social psychology, rapport formation, and interactions with artificial social agents R Banerji New Directions in Third Wave Human-Computer Interaction: Volume 1 …, 2018 | 10 | 2018 |
| Balancing defiance and cooperation: the design and human critique of a virtual free improviser R Banerji ICMC, 2016 | 8 | 2016 |
| Whiteness as Improvisation, Nonwhiteness as Machine R Banerji Jazz and Culture 4 (2), 56-84, 2021 | 3 | 2021 |
| Phenomenologies of Egalitarianism in Free Improvisation: A Virtual Performer Meets its Critics R Banerji University of California, Berkeley, 2018 | 3 | 2018 |
| Free Improvisation, Egalitarianism, and Knowledge R Banerji Jazz Perspectives, 1-24, 2023 | 1 | 2023 |
| Four Provocations on Diversity in Computer Music R Banerji array., 7-12, 2021 | 1 | 2021 |
| Artificial Intelligence and Phenomenological Ethnography R Banerji The Oxford Handbook of the Phenomenology of Music Cultures, 636-667, 2024 | | 2024 |
| Artificial Intelligence, Humanness, and Nonverbal Sociality R Banerji Anthropology in Action 30 (3), 49-58, 2023 | | 2023 |
| People are not Fixed Media R Banerji © 2022 CASTAC, 2022 | | 2022 |
| Feeling Like an Agent R Banerji array., 4-7, 2019 | | 2019 |
