| When nationalism meets hip-hop: aestheticized politics of ideotainment in China S Zou Communication and Critical/Cultural Studies 16 (3), 178-195, 2019 | 49 | 2019 |
| Restyling propaganda: popularized party press and the making of soft propaganda in China S Zou Information, Communication & Society, 2021 | 40 | 2021 |
| Producing value out of the invaluable: A critical/cultural perspective on the live streaming industry in China S Zou tripleC: Communication, Capitalism & Critique. Open Access Journal for a …, 2018 | 31 | 2018 |
| Native advertising and the cultivation of counterfeit news TL Glasser, A Varma, S Zou Journalism 20 (1), 150-153, 2019 | 24 | 2019 |
| Emotional news, emotional counterpublic: Unraveling the construction of fear in Chinese diasporic community online S Zou Digital Journalism 8 (2), 229-248, 2020 | 23 | 2020 |
| Disenchanting Trust: Instrumental Reason, Algorithmic Governance, and China’s Emerging Social Credit System S Zou Media and Communication 9 (2), 140-149, 2021 | 15 | 2021 |
| Mistranslation as Disinformation: COVID-19, Global Imaginaries, and Self-serving Cosmopolitanism S Zou Cultural Studies 35 (2-3), 523-533, 2021 | 14 | 2021 |
| Beneath the bitter laughter: Online parodies, structures of feeling and cultural citizenship in China S Zou Global Media and Communication 16 (2), 131-147, 2020 | 10 | 2020 |
| US-based Chinese diasporic media and" social myth": A comparative critical discourse analysis S Zou Global Media Journal-Canadian Edition 7 (2), 41, 2014 | 7 | 2014 |
| Curating a scopic contact zone: Short video, rural performativity, and the mediatization of socio-spatial order in China S Zou Television & New Media, 2022 | 6 | 2022 |
| When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China S Zou Media Industries 9 (1), 2022 | 3 | 2022 |
| From Inarticulacy to Care: Exploring dialogical approaches to journalistic representation of ethnic minorities S Zou Journalism Practice 12 (4), 382-399, 2018 | 3 | 2018 |
| 6 Native Advertising as Counterfeit News TL Glasser, S Zou, A Varma Fake News: Understanding Media and Misinformation in the Digital Age, 87, 2020 | 2 | 2020 |
| Localisation between Negotiating Forces: A Case Study of a Chinese Radio Station in the United States S Zou Westminster Papers in Communication and Culture 13 (1), 2018 | 2 | 2018 |
| Aesthetic Subjectification Through Ambivalent Play: Exploring a Ludic Theory of Popular Propaganda S Zou Journal of Communication Inquiry, 2022 | 1 | 2022 |
| Performing devotion: Revitalized 'red songs', choral flash mobs, and national identity S Zou Cultural China, 2021 | 1 | 2021 |
| Sublimated Machismo: Patriarchy, Hegemonic Masculinity and Popular Nationalism in China's Hip-hop Culture S Zou Routledge Handbook of Chinese Gender & Sexuality, 338-352, 2024 | | 2024 |
| ‘Hold on to the Green Horse’: Popular Imaginations of the Health Code and the Cultivation of Algocratic Attunement in China in the COVID Era S Zou Journal of Contemporary China, 2023 | | 2023 |
| Provincializing “web traffic”: data imaginaries and vernacular construction of liuliang in China S Zou Communication, Culture & Critique, 2023 | | 2023 |
| Mistranslation as disinformation: COVID-19, global imaginaries, and self-serving cosmopolitanism S Zou Cultural Politics of COVID-19, 2023 | | 2023 |
