| Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas C Robé PM Press, 2017 | 29 | 2017 |
| Taking Hollywood back: The historical costume drama, the biopic, and popular front US film criticism C Robé Cinema Journal, 70-87, 2009 | 25 | 2009 |
| Suturing working class subjectivities: Media Mobilizing Project and the role of media building a class-based social movement P Funke, C Robe, T Wolfson tripleC: Communication, Capitalism & Critique. Open Access Journal for a …, 2012 | 21 | 2012 |
| Left of Hollywood: Cinema, Modernism, and the Emergence of US Radical Film Culture C Robé University of Texas Press, 2010 | 21 | 2010 |
| ‘Because I Hate Fathers, and I Never Wanted to Be One’: Wes Anderson, Entitled Masculinity, and the ‘Crisis’ of the Patriarch C Robé Millennial masculinity: Men in contemporary American cinema, 101-21, 2013 | 19 | 2013 |
| Eisenstein in America: the Que Viva Mexico! debates and the emergent popular front in US film theory and criticism C Robé The Velvet Light Trap 54 (1), 18-31, 2004 | 15 | 2004 |
| Criminalizing dissent: Western state repression, video activism, and counter-summit protests C Robé Framework: The Journal of Cinema and Media 57 (2), 161-188, 2016 | 12 | 2016 |
| The convergence of eco-activism, neoliberalism, and reality TV in Whale Wars C Robé Journal of Film and Video 67 (3-4), 94-111, 2015 | 12 | 2015 |
| Rewiring the apparatus: Screen theory, media activism, and working-class subjectivities C Robé, T Wolfson, PN Funke Rethinking Marxism 28 (1), 57-72, 2016 | 11 | 2016 |
| El Grito de Sunset Park C Robé Journal of Cinema and Media Studies 59 (2), 62-87, 2020 | 10 | 2020 |
| The Good Fight: The Spanish Civil War and US Left Film Criticism C Robé Framework: The Journal of Cinema and Media 51 (1), 79-107, 2010 | 10 | 2010 |
| The Specter of Communism: A Communist Structure of Feeling within Romanian New Wave Cinema C Robé Film Criticism 41 (2), 2017 | 9 | 2017 |
| InsUrgent Media from the Front: A Media Activism Reader C Robé, S Charbonneau Indiana University Press, 2020 | 8 | 2020 |
| Reflections on the inheritances of Indymedia in the age of surveillance and social media C Robé, T Wolfson Media, Culture & Society 42 (6), 1024-1030, 2020 | 8 | 2020 |
| Anarchist Aesthetics and US Video Activism C Robé Jump Cut: A Review of Contemporary Media 56, 2014-2015, 2014 | 8 | 2014 |
| When cultures collide: Third cinema meets the Spaghetti Western C Robé Journal of Popular Film and Television 42 (3), 163-174, 2014 | 7 | 2014 |
| Materializing cultural struggle in film and media studies C Robé Culture, Theory and Critique 55 (1), 17-33, 2014 | 5 | 2014 |
| Saint Mazie: A Socialist-Feminist Understanding of Film in Tillie Olsen's" Yonnondio: From the Thirties" C Robe Frontiers: A Journal of Women Studies 25 (3), 162-177, 2004 | 5 | 2004 |
| Detroit Rising: The League of Revolutionary Black Workers, Newsreel, and the Making of Finally Got the News C Robé Film History 28 (4), 125-158, 2016 | 4 | 2016 |
| Suturing working class subjectivities: Media Mobilizing Project and the role of media building a class-based social movement. tripleC, 10, 16–29 PN Funke, C Robe, T Wolfson | 4 | 2012 |
