| “Wir sind alle Oranienplatz”! Space for refugees and social justice in Berlin O Landry Seminar: A Journal of Germanic Studies 51 (4), 398-413, 2015 | 42 | 2015 |
| Movement and performance in Berlin school cinema O Landry Indiana University Press, 2019 | 14 | 2019 |
| German Youth Against Sarrazin: Nurkan Erpulat’s Verrücktes Blut and Clash as Political Theatre of Experience O Landry Türkisch-deutsche Studien 3, 105-122, 2012 | 12 | 2012 |
| Theatre of Anger: Radical Transnational Performance in Contemporary Berlin O Landry University of Toronto Press, 2021 | 8 | 2021 |
| The Beauty and Violence of Horror Vacui: Waiting in Christian Petzold's Transit (2018) O Landry The German Quarterly 93 (1), 90-105, 2020 | 8 | 2020 |
| Jewish joke telling in Muttersprache Mameloschn: performing queer intervention on the German stage O Landry Women & Performance: a journal of feminist theory 26 (1), 36-54, 2016 | 8 | 2016 |
| A Body Without a Face: The Disorientation of Trauma in Phoenix (2014) and New Holocaust Cinema O Landry Film-Philosophy 21 (2), 188-205, 2017 | 6 | 2017 |
| A Decolonizing Ear: Documentary Film Disrupts the Archive O Landry University of Toronto Press, 2022 | 5 | 2022 |
| On the Politics of Love and Trans-Migrant Theater in Germany O Landry Duke University Press 5 (1), 30-48, 2018 | 5 | 2018 |
| Color/blindness in Sheri Hagen's Auf den zweiten Blick O Landry Black Camera 9 (1), 62-79, 2017 | 5 | 2017 |
| Greek Dispossession Staged, or When Street Politics Meets the Theater O Landry Transit 10 (2), 2016 | 4 | 2016 |
| Verbal performance in Dorothea Tieck's translation of Shakespeare's sonnets O Landry Women in German Yearbook: Feminist Studies in German Literature and Culture …, 2012 | 4 | 2012 |
| Pre-Face, Sur-Face, Inter-Face, Post-Face: The Horror Story of Goodnight Mommy O Landry Discourse 41 (1), 90-111, 2019 | 3 | 2019 |
| Torlasco’s “Philosophy in the Kitchen”: image, domestic labor, and the gendered embodiment of time O Landry, C Landry New Review of Film and Television Studies 17 (4), 456-480, 2019 | 2 | 2019 |
| East German letters to Angela Davis: from myth to solidarities unfolding O Landry Feminist Media Studies 21 (7), 1237-1252, 2021 | 1 | 2021 |
| Turkish Delights with an Aftertaste: Eroticism and Necropolitics in Turkish Trans Crime Fiction O Landry Journal of Middle East Women's Studies 16 (3), 245-263, 2020 | 1 | 2020 |
| Stereographic Scenography: Ersan Mondtag’s (Post)colonial Frame in De Living O Landry Contemporary Theatre Review 30 (4), 441-455, 2020 | 1 | 2020 |
| Sex Changes With Kleist O Landry The Germanic Review: Literature, Culture, Theory 95 (3), 234-236, 2020 | 1 | 2020 |
| Searching for a Storyteller, Remediating the Archive: Philip Scheffner’s Halfmoon Files O Landry New German Critique 46 (3), 103-124, 2019 | 1 | 2019 |
| Dance and the Theatricality of Berlin School Cinema O Landry The Germanic Review: Literature, Culture, Theory 89 (1), 1-19, 2014 | 1 | 2014 |
