| Terrifying film music mimics alarming acoustic feature of human screams C Trevor, LH Arnal, S Frühholz The Journal of the Acoustical Society of America 147 (6), EL540-EL545, 2020 | 28 | 2020 |
| Are Stopped Strings Preferred in Sad Music? D Huron, C Trevor Empirical Musicology Review 11 (2), 261-269, 2016 | 11 | 2016 |
| Are Humoresques Humorous? On the Similarity Between Laughter and Staccato C Trevor, D Huron Empirical Musicology Review 13 (1-2), 66-77, 2018 | 7 | 2018 |
| Animated performance: 'Better' music means larger movements C Trevor Music Theory Online 24 (4), 2018 | 6 | 2018 |
| Acoustic and structural differences between musically portrayed subtypes of fear C Trevor, M Renner, S Frühholz The Journal of the Acoustical Society of America 153 (1), 384-399, 2023 | 3 | 2023 |
| Live music stimulates the affective brain and emotionally entrains listeners in real time W Trost, C Trevor, N Fernandez, F Steiner, S Frühholz Proceedings of the National Academy of Sciences 121 (10), e2316306121, 2024 | 1 | 2024 |
| Psychopathic and autistic traits differentially influence the neural mechanisms of social cognition from communication signals CL Skjegstad, C Trevor, H Swanborough, C Roswandowitz, A Mokros, ... Translational Psychiatry 12 (1), 494, 2022 | 1 | 2022 |
| Musicians can reliably discriminate between string register locations on the violoncello C Trevor, J Devaney, D Huron Music Perception: An Interdisciplinary Journal 40 (1), 27-38, 2022 | 1 | 2022 |
| The evolutionary benefit of less-credible affective musical signals for emotion induction during storytelling C Trevor, S Frühholz Behavioral and Brain Sciences 44, E118, 2021 | 1 | 2021 |
| Cognitive and Theoretical Analyses of Expressive Performance Choices C Trevor The Ohio State University, 2018 | 1 | 2018 |
| Imprinting Emotion on Music: Transferring Affective Information From Sight To Sound C Trevor, J Plazak International Conference for Music Perception and Cognition, 265-268, 2016 | 1 | 2016 |
| Suggested searches P Sacchi, SE Wright, P Neoptolemou, GI Lampronti, AK Rajagopalan, ... Perspective, 2024 | | 2024 |
| Suggested searches C Zhang, SE Hobbie, WH Schlesinger, B Berg, J Zhu, B Yang, M Rucci, ... Perspective, 2023 | | 2023 |
| Differentiating between terrifying and anxious music in emotion research C Trevor, M Renner, S Frühholz Conference on Interdisciplinary Musicology, 2022 | | 2022 |
| Aural Skills for Upper Position Playing on Low Strings C Trevor, A Yackley American String Teacher 71 (4), 45-50, 2021 | | 2021 |
| Music, Analysis, and the Body: Experiments, Explorations, and Embodiments. Edited by Nicholas Reyland and Rebecca Thumpston C Trevor Music Theory Spectrum 43 (1), 172-180, 2021 | | 2021 |
| Music as an evolved tool for socio-affective fiction C Trevor, S Frühholz PsyArXiv, 2021 | | 2021 |
| Methods of Measuring Musical Tension: Commentary on Teo (2020) C Trevor Empirical Musicology Review 15 (1-2), 105-107, 2020 | | 2020 |
| Methodological Considerations For Choreomusicology Influenced by Music Cognition C Trevor SEM Student News 15 (1), 14-17, 2019 | | 2019 |
| Three Studies of Emotional Cues in Instrumental Music Inspired by Acoustical Cues in Vocal Affect C Trevor The Ohio State University, 2016 | | 2016 |
Sascha FrühholzCognitive and Affective Neuroscience Unit, University of ZurichVerified email at uzh.ch
