| Modern records, maverick methods S Bennett Bloomsbury Publishing, 2018 | 63 | 2018 |
| Endless analogue: situating vintage technologies in the contemporary recording workplace S Bennett Association for the Study of the Art of Record Production, 2012 | 60 | 2012 |
| Behind the magical mystery door: history, mythology and the aura of Abbey Road Studios S Bennett Popular Music 35 (3), 396-417, 2016 | 30 | 2016 |
| Critical approaches to the production of music and sound S Bennett, E Bates Bloomsbury Publishing USA, 2018 | 28 | 2018 |
| Revolution sacrilege! Examining the technological divide among record producers in the late 1980s S Bennett Association for the Study of the Art of Record Production, 2009 | 22 | 2009 |
| Never Mind the Bollocks: A Tech-Processual Analysis S Bennett Popular Music and Society 38 (4), 466-486, 2015 | 19 | 2015 |
| Popular music, stars and stardom: Definitions, discourses, interpretations S Loy, J Rickwood, S Bennett Popular Music, Stars and Stardom, 1-20, 2018 | 18 | 2018 |
| Gus Dudgeon's Super Sonic Signature S Bennett Global Glam and Popular Music, 55-68, 2016 | 13* | 2016 |
| The production of music and sound: A multidisciplinary critique E Bates, S Bennett Critical approaches to the production of music and sound, 1-21, 2018 | 10 | 2018 |
| Popular music, stars and stardom S Loy, J Rickwood, S Bennett ANU Press, 2018 | 10 | 2018 |
| Revisiting the “Double Production Industry”: Advertising, Consumption and “Technoporn” Surrounding the Music Technology Press S Bennett Music, Law and Business Anthology 5, 117-45, 2012 | 10 | 2012 |
| Parallel, series and integrated: Models of tertiary popular music education G Carfoot, B Millard, S Bennett, C Allan The Routledge research companion to popular music education, 139-150, 2017 | 9 | 2017 |
| Time-based Signal Processing and'Shape'in Alternative Rock Recordings S Bennett IASPM Journal 6 (2), 3-21, 2016 | 9 | 2016 |
| The listener as remixer: Mix stems in online fan community and competition contexts S Bennett | 9 | 2016 |
| Eliot Bates, eds. 2018 S Bennett Critical Approaches to the Production of Music and Sound, 0 | 8 | |
| Look at all those big knobs! Online audio technology discourse and sexy gear fetishes E Bates, S Bennett Convergence 28 (5), 1241-1259, 2022 | 7 | 2022 |
| Songs about fucking: John Loder's southern studios and the construction of a subversive sonic signature S Bennett Journal of Popular Music Studies 29 (2), e12209, 2017 | 7 | 2017 |
| Examining the emergence and subsequent proliferation of anti production amongst the popular music producing elite SK Bennett PQDT-UK & Ireland, 2010 | 6 | 2010 |
| Intermixtuality: Case Studies in Online Music (Re) production S Bennett Critical approaches to the production of music and sound, 231, 2018 | 5 | 2018 |
| Рopular music, Stars and Stardom S Loy, J Rickwood, S Bennett Australia: ANU Press, 2018 | 5 | 2018 |
