| The politics of hijab in Monica Ali’s Brick Lane N Pereira-Ares The Journal of Commonwealth Literature 48 (2), 201-220, 2013 | 32 | 2013 |
| Trauma and transculturalism in contemporary fictional memories of 9/11 M Estévez-Saá, N Pereira-Ares Critique: Studies in Contemporary Fiction 57 (3), 268-278, 2016 | 23 | 2016 |
| El octavo arte: la moda en la sociedad contemporánea JM Paz Gago A Coruña: Hércules Ediciones, 2016 | 19 | 2016 |
| Fashion, Dress and Identity in South Asian Diaspora Narratives: From the Eighteenth Century to Monica Ali N Pereira-Ares Springer, 2017 | 15 | 2017 |
| Transculturalism and cultural translation in Cauvery Madhavan’s Paddy Indian N Pereira-Ares Journal of Postcolonial Writing 51 (4), 476-489, 2015 | 9 | 2015 |
| The East Looks at he West, the Woman Looks at the Man: a Study of the Gaze in Brick Lane by Monica Ali NP Ares Miscelánea: A journal of english and american studies, 71-81, 2012 | 6 | 2012 |
| Postcolonial youth in contemporary British fiction LM Lojo-Rodríguez, J Sacido-Romero, N Pereira-Ares Postcolonial Youth in Contemporary British Fiction, 1-22, 2021 | 4 | 2021 |
| Meera Syal’s “The Traveller” N Pereira-Ares Atlantis 42 (1), 1-19, 2020 | 3 | 2020 |
| Introduction: Sociocultural and Literary Debates on Contemporary Migrant Typologies and Migratory Cartographies JM Estévez-Saá, NP Ares Oceánide, 1, 2019 | 3 | 2019 |
| Sartorial Borders and Border Crossing in Contemporary Multi-ethnic Short Stories N Pereira-Ares Borders and Border Crossings in the Contemporary British Short Story, 149-167, 2019 | 3 | 2019 |
| “The old and honourable craft of tailoring”: empowering fabrics in Monica Ali’s Brick Lane’ N Pereira-Ares S. Martín Alegre et al., At a Time of Crisis: English and American Studies …, 2012 | 3 | 2012 |
| Introduction: Eco-Fictions, The Animal Trope and Irish Studies M Estévez-Saá, M Palacios-González, N Pereira-Ares Estudios Irlandeses, 1-5, 2020 | 2 | 2020 |
| El octavo arte: la moda en la sociedad contemporánea N Pereira Ares Designis, 195-197, 2020 | 2 | 2020 |
| Sartorial memories of a colonial past and a diasporic present in Kamala Markandaya’s The Nowhere Man N Pereira-Ares The Journal of Commonwealth Literature 50 (2), 179-196, 2015 | 2 | 2015 |
| El hiyab en Brick Lane, de Monica Ali NP Ares Revista de la Sociedad Española de Estudios Literarios de Cultura Popular …, 2012 | 2 | 2012 |
| The Woman & the Animal Trope M Palaciosgonzález, M Estevez-Saa, N Pereira-Ares Estudios Irlandeses, 129-146, 2020 | 1 | 2020 |
| Ecological and Social Healing: Multicultural Women’s Voices, edited by Jeanine M. Canty: New York: Routledge, 2017. N Pereira-Ares Women's Studies 47 (2), 251-255, 2018 | 1 | 2018 |
| The ‘Sartorially Undesirable “Other”’ in Post-War South Asian Diaspora Narratives: Kamala Markandaya’s The Nowhere Man N Pereira-Ares, N Pereira-Ares Fashion, Dress and Identity in South Asian Diaspora Narratives: From the …, 2018 | 1 | 2018 |
| We'll simply have to dress the character”: dressed bodies do matter in James Joyce's" Ulysses ME Saá, NP Ares Papers on Joyce, 243-268, 2011 | 1 | 2011 |
| Introduction: Border Politics and Refugee Narratives in Contemporary Literature L Lojo-Rodríguez, N Pereira-Ares Humanities 13 (3), 74, 2024 | | 2024 |
