| The audience as creative contributor: examining the effects of implied sound and music in two versions of Nosferatu: A Symphony of Horror (1922) L Carr Studies in European Cinema 18 (3), 222-234, 2021 | 3 | 2021 |
| A sonic examination of silent film: Weimar cinema and implied sound LJ Carr University of Leeds, 2022 | | 2022 |
| Introductory essay: silent film historiography, digital technology and the archive A Frymus, L Antoniazzi, L Carr Studies in European Cinema 18 (3), 189-194, 2021 | | 2021 |
| Silent Film Historiography, Digital Technology and the Archive L Carr, L Antoniazzi, A Frymus Taylor and Francis, 2021 | | 2021 |
| The man who made the movies, by Vanda Krefft, New York, HarperCollins, 2017, 927 pp.,£ 30 (hardcover), ISBN 978-0-06-113606-1 L Carr Early Popular Visual Culture 18 (1), 105-107, 2020 | | 2020 |
| Continuity and Crisis in German Cinema, 1928–1936 L Carr The Modern Language Review 113 (1), 273-274, 2018 | | 2018 |
