Imagining the flâneur as a woman E Dreyer, E McDowall Communicatio 38 (1), 30-44, 2012 | 53 | 2012 |
Recent Acquisitions at Two South African Collections: UNISA and Durban Art Gallery C Brown African Arts 44 (3), 76-83, 2011 | 8 | 2011 |
Dystopia: A review SM Finn University of South Africa Press, 2009 | 6* | 2009 |
Documenta 11 as examplar for transcultural curating: a critical analysis LA Van Niekerk University of Pretoria, 2008 | 4 | 2008 |
Documenta 11 as examplar for transcultural curating: a critical analysis LA Van Niekerk University of Pretoria, 2008 | 4 | 2008 |
Nomadic figurations of identity on the work of Berni Searle DA Adendorff University of Pretoria, 2006 | 4 | 2006 |
Dystopia E Dreyer Unisa, 2009 | 3 | 2009 |
Stigma, crime and money in South African art exhibition E Dreyer Common Ground, 2008 | 3 | 2008 |
Titus Matiyane, kartograaf en transnasionale flâneur E Dreyer Litnet Akademies:'n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe …, 2017 | 2 | 2017 |
Of clocks ticking: Heterotopic space, time and motion in William Kentridge’s The Refusal of Time (2012) E Dreyer Communicatio 42 (3), 338-360, 2016 | 2 | 2016 |
Liminality in the transformation of light during the process of photography I Naudé, E Dreyer de arte 50 (91), 76-88, 2015 | 2 | 2015 |
Herwinning as'n kunsvorm:'n ekofeministiese perspektief MM Blok | 2 | 2009 |
Themes of genetic engineering and the homunculus in Patricia Piccinini's sculptural installation, We are Family AJ Smith, E Dreyer de arte 44 (79), 23-33, 2009 | 2 | 2009 |
Consumption, pastiche and identity in postmodern visual culture MJ Winczewski PQDT-Global, 2008 | 2 | 2008 |
Dystopia and artifice in late twentieth-century visual culture E Dreyer University of South Africa (South Africa), 2002 | 2 | 2002 |
Rubber ducks and ships of fools E Dreyer Third Text 30 (3-4), 274-290, 2016 | 1 | 2016 |
Dystopia and Education? E Sheffield, J Heybach Dystopia and Education: Insights Into Theory, Praxis, and Policy in the Age …, 2013 | 1 | 2013 |
African Modernism and Identity Politics: Curatorial Practice in the Global South with Particular Reference to South Africa JK Crawshay-Hall PQDT-Global, 2013 | 1 | 2013 |
Functionality and social modernism in the work of untrained South African artists E Dreyer Third text: critical perspectives on contemporary art & culture 26 (6), 767 -779, 2012 | 1 | 2012 |
The Flâneur in Contemporary Society with Special Reference to the Work of Francis Alÿs E McDowall PQDT-Global, 2011 | 1 | 2011 |