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Amanda Coles
Amanda Coles
Department of Management, Deakin University
Verified email at deakin.edu.au
Title
Cited by
Cited by
Year
Skipping a beat: Assessing the state of gender equality in the Australian music industry
R Cooper, A Coles, S Hanna-Osborne
University of Sydney, 2017
462017
Creative class politics: unions and the creative economy
A Coles
International Journal of Cultural Policy 22 (3), 456-472, 2016
432016
Unintended consequences: examining the impact of tax credit programmes on work in the Canadian independent film and television production sector
A Coles
Cultural Trends 19 (1-2), 109-124, 2010
242010
Sustained knowledge work and thinking time amongst academics: gender and working from home during the COVID-19 pandemic
D Peetz, M Baird, R Banerjee, T Bartkiw, S Campbell, S Charlesworth, ...
Labour and Industry 32 (1), 72-92, 2022
182022
Policy ecologies, gender, work, and regulation distance in film and TV production
A Coles, K MacNeill
Women, labor segmentation and regulation: Varieties of gender gaps, 211-231, 2017
172017
On the basis of risk: How screen executives’ risk perceptions and practices drive gender inequality in directing
A Coles, DR Eikhof
Gender, Work & Organization 28 (6), 2040-2057, 2021
142021
Controversy, uncertainty and the diverse public in cultural diplomacy: Australia–China relations
K Johanson, A Coles, H Glow, C Vincent
Australian Journal of International Affairs 73 (4), 397-413, 2019
122019
What's wrong with this picture? Directors and gender inequality in the Canadian screen-based produuction industry
A Coles
https://www.rmit.edu.au/content/dam/rmit/documents/college-of-business …, 2016
122016
The status of women in the Canadian arts and cultural industries
A Coles, K MacNeill, JB Vincent, C Vincent, P Barré
Research review 2018, 2010
112010
Acting in the name of culture? Organized labour campaigns for Canadian dramatic programming
A Coles
Canadian Journal of Communication 31 (3), 519-540, 2006
112006
Focus on Women: A report on gender (in) equality in the Canadian independent screen-based production industry
A Coles
Deakin University, 2013
92013
Counting Canucks: Cultural labour and Canadian cultural policy
AL Coles
92012
Promoting gender equality through the arts and creative industries: a review of case studies and evidence
K MacNeill, A Coles, JB Vincent, A Kokkinos, M Robertson
VicHealth, 2018
72018
Gender and informality at work–theoretical provocations: an introduction to the special issue on gender and informality
A Coles, F Macdonald, A Delaney
Labour & Industry: a journal of the social and economic relations of work 28 …, 2018
72018
Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks
D Verhoeven, PS Moore, A Coles, B Coate, V Zemaityte, K Musial, ...
NECSUS_European Journal of Media Studies 9 (2), 273-298, 2020
62020
Focus on youth: Canadian youth arts programming and policy
A Coles
Ottawa: Canadian Cultural Observatory, Department of Canadian Heritage, 2007
52007
A wider lens: Australian camera workforce development and diversity
A Coles, J Ferrer, V Zemaityte, M Banks
Deakin University, 2022
42022
Control and insecurity in Australian and Canadian universities during the COVID-19 pandemic
D Peetz, S O’Brady, J Weststar, A Coles, M Baird, R Cooper, ...
Relations industrielles/Industrial Relations 77 (2), 2022
42022
The status of women in the Canadian arts and cultural industries: research review 2010-2018
A Coles, K MacNeill, J Vincent, C Vincent, P Barre
Deakin University, 2018
42018
Opera-ting on inequality: gender representation in creative roles at The Royal Opera
C Vincent, A Coles, JB Vincent
Cultural Trends 31 (3), 205-221, 2022
32022
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