| Decolonizing Othello in search of black feminist North American identities: Djanet Sears' Harlem duet and Toni Morrison's Desdemona V Cucarella-Ramon International Journal of English Studies 17 (1), 83-97, 2017 | 6 | 2017 |
| Liminality and (Trans) Nationalism in the Rethinking of the African Canadian Subjectivity: Esi Edugyan’s The Second Life of Samuel Tyne V Cucarella-Ramón Canada and Beyond: A journal of Canadian literary and cultural studies 5, 2015 | 4 | 2015 |
| Biblical Echoes and Communal Home in Jesmyn Ward's Salvage the Bones V Cucarella-Ramon Miscelanea: A Journal of English and American Studies 62, 91-107, 2020 | 3 | 2020 |
| The black female slave takes literary revenge: Female gothic motifs against slavery in Hannah Crafts’s" The Bondwoman’s Narrative" V Cucarella-Ramón Journal of English Studies 13, 19-46, 2015 | 3 | 2015 |
| Redemption and home in the African American city upon a hill Hannah Crafts's the bondwoman's narrative V Cucurella-Ramon Revista de Estudios Norteamericanos, 23, 141-162., 2019 | 2 | 2019 |
| " Any Man's Blues": Exposing the Crisis of African-American Masculinity in the Delusion of a Post-Racial United States in Toni Morrison's Home V Cucarella-Ramon Studies in the Literary Imagination 50 (2), 91-108, 2017 | 2 | 2017 |
| Resilience and Memory in the Poetics of Africadia: Sylvia D. Hamilton's And I Alone Escaped To Tell You V Cucarella-Ramon The Grove-Working Papers on English Studies 28, 67-84, 2021 | 1 | 2021 |
| Black Ghosts of the Diasporic Memory in Jesmyn Ward’s Sing, Unburied, Sing V Cucarella-Ramon Roczniki Humanistyczne 69 (11), 63-77, 2021 | 1 | 2021 |
| The Aesthetics of Healing in the Sacredness of the African American Female’s Bible: Zora Neale Hurston’s Moses, Man of the Mountain V Cucarella-Ramon Universidad de Alicante. Departamento de Filología Inglesa, 2016 | 1 | 2016 |
| Animalidad y racialidad en la narrativa de Toni Morrison. V Cucarella Ramon Pasajes: Revista de Pensamiento Contemporáneo, 2023 | | 2023 |
| Resilience and ethics of care against racial capitalism in David Chariandy’s Brother V Cucarella-Ramon World Literature Studies 15 (2), 77-87, 2023 | | 2023 |
| The Politics of Affect with/in the African American Mansion in Stephanie Powell Watts’s No One Is Coming to Save Us V Cucarella-Ramon American Houses: Literary Spaces of Resistance and Desire, 135-152, 2022 | | 2022 |
| Diáspora y auto representación en la literatura afroespañola: Hija del camino, de Lucía Asué Mbomío VC Ramon Anales de Literatura Española, 11-31, 2022 | | 2022 |
| Reading Toni Morrison’s Beloved in Jesmyn Ward’s Salvage The Bones and Sing, Unburied, Sing V Cucarella-Ramon Universidad de Alicante. Instituto Universitario de Investigación de …, 2022 | | 2022 |
| Benjamin Drew: The Refugee. Narratives of Fugitive Slaves in Canada VC Ramon Universitat de València, 2021 | | 2021 |
| Afroperipheral indigeneity in Wayde Compton’s The Outer Harbour V Cucarella-Ramon International Journal of English Studies 21 (1), 21-37, 2021 | | 2021 |
| Indigenizing Afroperipheralism in Wayde Compton’s The Outer Harbour V Cucarella-Ramon Indigenizing the Classroom: Engaging Native American/First Nations …, 2021 | | 2021 |
| Glocal Narratives of Resilience. Ana María Fraile-Marcos (ed.) New York: Routledge, 2020, 217 pp. ISBN: 978-0-367-26133-7 VC Ramon Nexus, 99-101, 2020 | | 2020 |
| Memorias fantasmales de la afro-europeidad después de la Gran Guerra en Half Blood Blues de Esi Edugyan VC Ramon Quaderns de Filologia-Estudis Literaris 24 (24), 55-75, 2019 | | 2019 |
| Sacred Femininity and the Politics of Affect in African American Women's Fiction VC Ramon Universitat de València, 2018 | | 2018 |
