| Rewriting ‘herstory’: Sasha Velour’s drag as art and activism R Middlemost Celebrity Studies 11 (4), 431-446, 2020 | 9 | 2020 |
| Renovating The Room: audience reception and paratextual intervention R Middlemost Celebrity Studies 10 (2), 247-264, 2019 | 9 | 2019 |
| The Routledge companion to cult cinema E Mathijs, J Sexton Routledge, 2019 | 7 | 2019 |
| Hey! Mr Prime Minister!”: The Simpsons Against the Liberals, Anti-fandom and the “Politics of Against R Barnes, R Middlemost American Behavioral Scientist 66 (8), 1123-1151, 2022 | 6 | 2022 |
| Aussie Fans: Uniquely Placed in Global Popular Culture C Lam, J Raphael University of Iowa Press, 2019 | 6 | 2019 |
| “Serving Activist Realness”: The New Drag Superstars and Activism Under Trump R Middlemost Intercultural communication, identity, and social movements in the Digital …, 2019 | 5 | 2019 |
| The Nina effect: Offspring and the commodification of fan affect R Middlemost | 4 | 2019 |
| Television Finales: From Howdy Doody to Girls S Ford, K Hellekson, EF Guffey, DS Diffrient, MP Nochimson, B Villez, ... Syracuse University Press, 2018 | 4 | 2018 |
| ‘I’m certainly not Tom Cruise or Brad Pitt’: Jason Statham, fandom and a new type of (anti) hero R Middlemost Crank it up, 29-44, 2019 | 3 | 2019 |
| Introduction to the special issue: Keanu Reeves as palimpsest R Middlemost, S Thomas Celebrity Studies 13 (2), 137-142, 2022 | 2 | 2022 |
| ‘Celebrating 10 Years of Idris Elba Becoming James Bond Any Second Now’: Fandom, Ownership and the Alt-Right R Middlemost From Blofeld to Moneypenny: Gender in James Bond, 215-229, 2020 | 2 | 2020 |
| Cult cinema and nostalgia R Middlemost The Routledge Companion to Cult Cinema, 152-160, 2019 | 2 | 2019 |
| Babashook: The Babadook, gay iconography and Internet cultures R Middlemost https://ro.uow.edu.au/cgi/viewcontent.cgi?article=4874&context=lhapapers 8 …, 2019 | 2 | 2019 |
| The Nina Effect: Offspring, Affective Engagement, and the Aesthetic of Melbourne R Middlemost Screening Melbourne Conference, Royal Melbourne Institute of Technology …, 2017 | 2 | 2017 |
| Fame and Fandom: Functioning On and Offline C Lam, J Raphael, R Middlemost, J Balanzategui University of Iowa Press, 2022 | 1 | 2022 |
| You Are Tearing Me Apart, Lisa!: The Year's Work on The Room, the Worst Movie Ever Made L Palmer, N Abrams, L Cruz, J Curnow, J Donegan, J Dyck, E Mathijs, ... Indiana University Press, 2022 | 1 | 2022 |
| The incredible, ageless Reeves: aging celebrity, aging fans, and nostalgia R Middlemost Celebrity Studies 13 (2), 228-243, 2022 | 1 | 2022 |
| Competing desires, competing interests: Opening the dialogue between Wentworth, fans and industry R Middlemost, S Taylor TV Transformations and Transgressive Women: From Prisoner: Cell Block H to …, 2022 | 1 | 2022 |
| ‘Australian TV's golden girl’: Asher Keddie, Offspring, and the celebrity motherhood narrative R Middlemost Gender and Australian Celebrity Culture, 202-219, 2020 | 1 | 2020 |
| A Critical Companion to Tim Burton K Alkema, A Burger, F Christol, E Colombani, CM Cuthill, M Dicieanu, ... Lexington Books, 2017 | 1 | 2017 |
Celia LamUniversity of Nottingham Ningbo ChinaVerified email at nottingham.edu.cn
