| Performativity in the Gallery: Staging Interactive Encounters O Remes, L MacCullock, M Leino Peter Lang, 2014 | 82* | 2014 |
| Replaying the old stereotypes into an artistic role: the case of Tracey Emin O Remes Women's History Review 18 (4), 559-575, 2009 | 18 | 2009 |
| Conspiracy Dwellings: Surveillance in Contemporary Art O Remes, P Skelton Cambridge Scholars Publishing, 2010 | 10 | 2010 |
| Reinterpreting unconventional family photographs: returning to Richard Billingham's" Ray's a Laugh" series O Remes Afterimage 34 (6), 16, 2007 | 8 | 2007 |
| The role of confession in late twentieth-century British art O Remes University of Reading, 2005 | 7 | 2005 |
| After Bad Taste: Tracey Emin’s Work on Abortion and Other Confessions O Remes Inside the Death Drive Excess and Apocalypse in the World of the Chapman …, 2010 | 5* | 2010 |
| Floating above the waterline O Remes Afterimage: The Journal of Media Arts and Cultural Criticism 41 (2), 4-6, 2013 | 3 | 2013 |
| Confessional Art O Remes Encyclopaedia of Identity, 123-5, 2010 | 2 | 2010 |
| Crossing Borders: Transition and Nostalgia in Contemporary Art / 當代藝術中的游轉與鄉愁 M Turner, O Remes Art and Collection Group Ltd, 2015 | | 2015 |
| A country in a country: portraying the Middle Eastern in Mitra Tabrizian’s photography O Remes Afterimage: The Journal of Media Arts and Cultural Criticism 40 (4), 33-34, 2013 | | 2013 |
| Finding Africa(s) in Finland O Remes Afterimage: The Journal of Media Arts and Cultural Criticism 39 (4), 32-3, 2012 | | 2012 |
| Presenting Contemporary Art in Regional Art Galleries and Centres O Remes Don’t Ask for the Mona Lisa: Guidelines for academics on how to propose …, 2012 | | 2012 |
| The significance of the ubiquitous in the work by Jeannie Driver and Christopher Lundie O Remes Ubiquitious Materials, 2012 | | 2012 |
| Occupying Spaces O Remes Afterimage: The Journal of Media Arts and Cultural Criticism 38 (2), 27-28, 2010 | | 2010 |
| Richard Billingham: People, Places, Animals J Engberg, O Remes, R Hansen Australian Centre for Contemporary Art, 2008 | | 2008 |
Pip LaurensonuCLVerified email at ucl.ac.uk
