| Digital sculpting for historical representation: Neville tomb case study E Unver, C Benincasa-Sharman Digital Creativity 28 (2), 123-140, 2017 | 14 | 2017 |
| 3D digital modelling, fabrication and installation for understanding space and place A Taylor, C Benincasa-Sharman, E Unver | 4 | 2014 |
| Populating Praxis of Place, Stonehenge: An Interdisciplinary Collaboration CA Benincasa-Sharman, A Taylor, E Unver | 2 | 2016 |
| Material shifts in praxis: Projections of digital humanities embodied within space and place A Taylor, E Unver, C Benincasa-Sharman | 2 | 2014 |
| Hyper naturalism and simulacra in Stonehenge art A Taylor, E Unver, CA Benincasa-Sharman | 2 | 2012 |
| Design and Development of Alternative Vectorthotic Insole: Technical Report E Unver, C Benincasa-Sharman, R Silkstone, P Norris, G Stockton, ... Technical Report submitted to HealthStep ltd., 2017 | 1 | 2017 |
| Visualising & Animating Vectorthotic Products E Unver, C Benincasa-Sharman, R Markham, LV Bentum | | 2017 |
| Liverpool Resurgent: How Liverpool used their Arts Festival status in the 1951 Festival of Britain to improve its image C Benincasa | | 2016 |
| What do they think? A potential research methodology for understanding identities of place from a community perspective CA Benincasa-Sharman | | 2016 |
| LifeHacket Trio D Swann, L Wallwein, S Roberts, CA Benincasa-Sharman David Swann, 2016 | | 2016 |
| Architectural Nous: How York Wrote its Identity Through Architecture During the 1951 Festival of Britain CA Benincasa-Sharman | | 2015 |
| We are not dealing with someone else’s “left overs”! Northern English Cities’ response to the 1951 Festival of Britain CA Benincasa-Sharman | | 2013 |
| From Ration Books to Resurrection: How northern cities reached out to the people during the 1951 Festival of Britain. C Benincasa-Sharman | | 2013 |
| BBC Stoke Breakfast with Pete Morgan-Caterina Benincasa-Sharman talking about Staffordshire's contribution to the 1951 Festival of Britain in the London based and Travelling … CA Benincasa-Sharman BBC Radio Stoke, 2012 | | 2012 |
| Hyper Naturalism & Simulacra in Stonehenge Art E Unver, A Taylor, CA Benincasa-Sharman | | 2012 |
| The 1951 Festival of Britain: A Northern Perspective CA Benincasa-Sharman | | 2011 |
| Signposts: The Festival of Britain 1951 CA Benincasa-Sharman History Today, 54-55, 2011 | | 2011 |
