| Beyond Sheer Entertainment: A Voyage AroundEmekaNwabueze’s A Parliament of Vultures and OsitaEzenwanebe’s Giddy Festival JN Akaenyi A Lion on The Ijele Dance, A Festschrift in Honour of Professor P. Nwabueze …, 2015 | 3 | 2015 |
| Exploring Moral and Ethical principles through Drama: A Study of Ifeyinwa Uzondu's Which Way is Right? AN Jacinta International Journal of English Literature and Culture 12 (1), 13-20, 2024 | 2* | 2024 |
| Interrogating Political Corruption In Ifeyinwa Uzondu's A Cry For Justice: Sapientia Global Journal of Arts, Humanities and Development Studies (SGOJAHDS), Vol 7, No 1. NJ Akaenyi Afrischolar Discovery Repository (Annex), 2024 | | 2024 |
| Transitioning from the Margins to the Spotlight: A study of Emily Oghale God’s Presence Beyond the Boundaries AN Jacinta ISRG Journal of Arts Humanities and Social Sciences 11 (11), 85-90, 2024 | | 2024 |
| Culture as a Vessel for Women Oppression: A Critical Study of Female Genital Mutilation in Mabel Evwierhoma’s The Cut Across AN Jacinta ISRG Journal of Education Humanities and Literature 1 (11), 1-5, 2024 | | 2024 |
| Intragender Subjugation in Tosin Jobi Tume’s Blood on My Hands NJ Akaenyi Global Journal of Arts Humanity and Social Sciences 4 (2), 150-157, 2024 | | 2024 |
| On the Road to Social Exclusion AOC Stephen, O Okpadah, JN Akaenyi Poland: Maria Grzegorzewska, 2022 | | 2022 |
| Reducing Crime through the Theatre: An analysis of Foluke Ogunleye’s Jabulile NJ Akaenyi International Review of Humanities Studies 6 (1), 2021 | | 2021 |
| Introduction: On the Road to Inclusion SO Okpadah, JN Akaenyi On the Road to Inclusion, 9-10, 2021 | | 2021 |
| Representation of the Empowered Woman in Bode Ojoniyi’s Our Wife Has Gone Mad: An Issue in National Development NJ Akaenyi Journal of Gender and Power 16 (2), 141-150, 2021 | | 2021 |
| On the Road to Social Inclusion A Odrowąż-Coates, SO Okpadah, JN Akaenyi Maria Grzegorzewska University Press, 2021 | | 2021 |
| Performing Change: An Exploration Of Osita Ezenwanebe's Withered Thrust NJ Akaenyi Alarinjo: Journal of Theatre and Media Arts 4 (6), 128-137, 2020 | | 2020 |
| Ecoparadigmatism and Selected Themes in Emmanuel Dandaura's Venom for Venom FJ Avangwa, NJ Akaenyi Locating Transnational Spaces: Culture, Theatre and Cinema, 218-225, 2020 | | 2020 |
| Stereotype representation of Empowered women in selected Nollywood Films NJ Akaenyi AKSU Journal of Communication Research 4, 2019 | | 2019 |
| Representing Society: Osita Ezenwanebe’s Social Vision in Giddy Festival NJ Akaenyi Ikogho: A Multidisciplinary Journal 17 (3& 4), 2017 | | 2017 |
| Contesting the Misconception of Theatre Scholarship: A Reading of The Family by Comish Ekiye NJ Akaenyi OR-CHE UMA: African Journal of Existential Philosophy 5 (1), 2017 | | 2017 |
| Gender Ambiguity and Identity Politics in Efo Kodgo Mawugbe’s In the Chest of a Woman NJ Akaenyi AKSU Journal of English 1 (1), 75-81, 2017 | | 2017 |
| Negotiating violence in Osita Ezenwanebe’s Adaugo NJ Akaenyi In Akoh, Adeoye & Ezenwanebe (eds) Theatre Creativity and Democratic …, 2014 | | 2014 |
| Mother-Daughter Trope in Efo Kodgo Mawugbe's in the Chest of a Woman NJ Akaenyi PHILOSOPHY AND AFRICAN HERITAGE RESOURCE: Eaasys in Honour of Very Rev. Fr …, 2012 | | 2012 |
| The Taboo Motif and Women Experiences in Modern Nigerian Drama NJ Akaenyi Orche-Uma: African Journal of Existential Philosophy 1 (2), 2010 | | 2010 |
Stephen Ogheneruro OkpadahUniversity of WarwickVerified email at warwick.ac.uk
