| Weimar Film and Modern Jewish Identity O Ashkenazi Springer, 2012 | 48 | 2012 |
| Ridiculous trauma: comic representations of the Nazi past in contemporary German visual culture O Ashkenazi Cultural Critique 78, 88-118, 2011 | 14 | 2011 |
| Anti-Heimat Cinema: The Jewish Invention of the German Landscape O Ashkenazi University of Michigan Press, 2020 | 13 | 2020 |
| Exile at Home: Jewish Amateur Photography under National Socialism, 1933–1939 O Ashkenazi The Leo Baeck Institute Year Book 64 (1), 115-140, 2019 | 10 | 2019 |
| < A New Era of Peace and Understanding): The Integration of Sound-Film into German Popular Cinema, 1929-1932 O Ashkenazi The Many Faces of Weimar Cinema: rediscovering Germany’s Filmic Legacy, 256, 2010 | 10 | 2010 |
| Jewish Vacations in Nazi Germany O Ashkenazi, G Miron The JEWISH Quarterly Review 110 (3), 523-552, 2020 | 9 | 2020 |
| German Jewish Athletes and the Formation of Zionist (Trans-) National Culture O Ashkenazi Jewish Social Studies: History, Culture, Society 17 (3), 124-155, 2011 | 9 | 2011 |
| Rethinking the role of film in German history: The Jewish comedies of the Weimar Republic O Ashkenazi Rethinking History 14 (4), 569-585, 2010 | 9 | 2010 |
| The future of history as film: apropos the publication of A Companion to Historical Film O Ashkenazi Rethinking History 18 (2), 289-303, 2014 | 8 | 2014 |
| The Biramschule in Context–The German Influence on Jewish Body Culture in Mandate Palestine O Ashkenazi na, 2013 | 8 | 2013 |
| Reframing the Interwar Peace Movement: The Curious Case of Albert Einstein O Ashkenazi Journal of Contemporary History 46 (4), 741-766, 2011 | 8 | 2011 |
| The Walk into the Night: Reason and Subjectivity in Weimar Film O Ashkenazi Tel Aviv: Am Oved, 2010 | 7 | 2010 |
| Comics as Historiography O Ashkenazi, J Dittmar ImageText (Gainesville) 11 (1), 2019 | 5 | 2019 |
| Reading Private Photography: Pathos, Irony and Jewish Experience in the Face of Nazism O Ashkenazi The American Historical Review 127 (4), 1606-1634, 2022 | 4 | 2022 |
| The Non-Heimat Heimat: Jewish Filmmakers and German Nationality from Weimar to the GDR O Ashkenazi New German Critique 42 (3), 115-143, 2015 | 4 | 2015 |
| Homecoming as a dead end: place and displacement in the new Israeli documentary film O Ashkenazi Jewish Culture and History 15 (3), 212-233, 2014 | 4 | 2014 |
| Middle-Class Heroes: Anti-Nationalism in the Popular Adventure Films of the Weimar Republic O Ashkenazi Weimar Culture Revisited, 73-97, 2011 | 4 | 2011 |
| The Incredible Transformation of Dr. Bessel: Alternative Memories of the Great War in German War Films of the Late 1920s O Ashkenazi History & Memory 20 (1), 121-152, 2008 | 4 | 2008 |
| Improbable Twins O Ashkenazi German Studies Review 40 (3), 527-548, 2017 | 3 | 2017 |
| Trauma, humor, and Nazism in current German visual culture O Ashkenazi European Forum at the Hebrew University, Center for German Studies, 2009 | 3 | 2009 |
