| Hipster Harmony: The Hybrid Syntax of Seventh Chords in Post-Millennial Rock DJ Heetderks Music Theory Online 21 (2), 2015 | 17 | 2015 |
| A Tonal Revolution in Fifths and Semitones: Aaron Copland’s Quiet City DJ Heetderks Music Theory Online 17 (2), 2011 | 15 | 2011 |
| From uncanny to marvelous: Poulenc’s hexatonic pole D Heetderks Theory and Practice 40, 177-204, 2015 | 14 | 2015 |
| Transformed Triadic Networks: Hearing Harmonic Closure in Prokofiev, Copland, and Poulenc. DJ Heetderks | 10 | 2011 |
| Hardcore R e‐visioned: Reading and Misreading in Sonic Youth, 1987–8 D Heetderks Music Analysis 32 (3), 363-403, 2013 | 9 | 2013 |
| Semitonal Succession-Classes in Prokofiev's Music and Their Influence on Diatonic Voice-leading Backgrounds in the Op. 94 Scherzo D Heetderks Intégral, 159-212, 2013 | 9 | 2013 |
| Play with closing markers: cadential multivalence in 1960s prechoruses and related schemas D Heetderks Music Theory Spectrum 42 (1), 1-23, 2020 | 7 | 2020 |
| Norms of textual scansion and rhyme in Beatles AABA forms D Heetderks Music Theory Spectrum 44 (1), 41-62, 2022 | 3 | 2022 |
| What Happens after the Primal Burn? Dissonance in Sonic Youth's Middle Period DJ Heetderks Music Theory Online 26 (1), 2020 | 2 | 2020 |
| Slanted beats, enchanted communities: Pavement's early phrase rhythm as indie narrative D Heetderks Popular Music 36 (2), 216-232, 2017 | 1 | 2017 |
| Changing Tonic Identity and Function in Max Reger’s Variations on a Theme of Mozart (1914) D Heetderks | | 2023 |
| Review of David Temperley, The Musical Language of Rock (Oxford University Press: 2018) D Heetderks Music Theory Online 29 (1), 2023 | | 2023 |
| The “Rebuff Chorus” in 1960–2000 Pop Music D Heetderks Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic 11 (1), 1, 2023 | | 2023 |
| “It’s an N, bro”: Teaching Enharmonic Reinterpretations of Fully Diminished Seventh Chords by Ear D Heetderks The Routledge Companion to Music Theory Pedagogy, 167-174, 2020 | | 2020 |
| Hearing Harmony: Toward a Tonal Theory for the Rock Era. By Christopher Doll. Ann Arbor, MI: University of Michigan Press, 2017. 320 pp. ISBN 0472073524 D Heetderks Popular Music 38 (1), 165-168, 2019 | | 2019 |
| A Tonal Axis to Grind: The Central Dyad in Sonic Youth’s Divergent Textures D Heetderks The Routledge Companion to Popular Music Analysis, 221-234, 2018 | | 2018 |
| A TONAL AXIS TO GRIND D Heetderks The Routledge Companion to Popular Music Analysis: Expanding Approaches, 2, 2018 | | 2018 |
| Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford, 2013) D Heetderks Music Theory Online 20 (2), 2014 | | 2014 |
| Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford, 2013) D Heetderks Music Theory Online 20 (2), 2014 | | 2014 |
| The Hybrid Syntax of Seventh Chords in Post-millennial Rock D Heetderks | | 2013 |
