Garth Paine

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Robert SazdovUniversity of Technology SydneyVerified email at uts.edu.au
Sabine FeisstArizona State UniversityVerified email at asu.edu
Simon BiggsUniversity of South AustraliaVerified email at unisa.edu.au
Ian StevensonUniversity of Technology SydneyVerified email at uts.edu.au
David M W PowersProfessor of Computer and Cognitive Science, College of Science and Engineering, Flinders UniversityVerified email at flinders.edu.au
Christian KroosFraunhofer Institute for Integrated CircuitsVerified email at iis.fraunhofer.de
Frederic BevilacquaIRCAM ParisVerified email at ircam.fr
Lawrence CavedonSchool of Computing Technologies, RMIT UniversityVerified email at rmit.edu.au
Takaaki KuratateTOSHIBA, Research & Development CenterVerified email at toshiba.co.jp
Christine KitamuraUniversity of Western SydneyVerified email at uws.edu.au
Catherine J (Kate) StevensMARCS Institute for Brain, Behaviour & Development, Western Sydney UniversityVerified email at westernsydney.edu.au
Shaun HalovicWestmead Psychotherapy Program, Sydney UniversityVerified email at health.nsw.gov.au
Emery SchubertUniversity of New South WalesVerified email at unsw.edu.au
Vinay VenkataramanResearch ScientistVerified email at asu.edu

Garth Paine

Professor Digital Sound and Interactive Media, School of Arts, Media + Engineering, ASU

Verified email at asu.edu - Homepage

Interactivity Music NIME Performance Composition


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Towards unified design guidelines for new interfaces for musical expression G Paine Organised Sound 14 (2), 142-155, 2009	95	2009
Interactivity, where to from here? G Paine Organised Sound 7 (3), 295-304, 2002	93	2002
The thummer mapping project (ThuMP) G Paine, I Stevenson, A Pearce Proceedings of the 7th international conference on New interfaces for …, 2007	39	2007
Towards a taxonomy of realtime interfaces for electronic music performance G Paine Proceedings of the International Conference on New Interfaces for Musical …, 2010	32	2010
Gesture and morphology in laptop music performance G Paine The Oxford handbook of computer music, 214-232, 2009	32	2009
Gesture and morphology in laptop music performance G Paine The Oxford handbook of computer music, 214-232, 2009	32	2009
Interaction as Material: The techno-somatic dimension G Paine Organised Sound 20 (1), 82-89, 2015	31	2015
Acoustic Ecology 2.0 G Paine Contemporary Music Review 36 (3), 171-181, 2017	28	2017
New musical instrument design considerations G Paine IEEE MultiMedia 20 (4), 76-84, 2013	24	2013
Interfacing for dynamic morphology in computer music performance G Paine Proceedings of the 2007 International Conference on Music Communication …, 2007	20	2007
Perceptual Investigation into envelopment, spatial clarity, and engulfment in reproduced multi-channel audio R Sazdov, G Paine, K Stevens AES 31st International Conference, 2007	19	2007
Interactive tango milonga: designing internal experience C Brown, G Paine Proceedings of the 2nd International Workshop on Movement and Computing, 17-20, 2015	17	2015
Dynamic sonification as a free music improvisation tool for physically disabled adults A Lem, G Paine Music & Medicine 3 (3), 182-188, 2011	17	2011
Sonic immersion: Interactive engagement in real-time immersive environments G Paine SCAN Journal of Media Arts and Culture 4 (1), 1-13, 2007	15	2007
Perceptual investigation into envelopement, spatial clarity, and engulfment in reproduced multi-channel audio G Paine, R Sazdov, K Stevens Audio Engineering Society Conference: 31st International Conference: New …, 2007	14	2007
Reeds: A Responsive Sound Installation. G Paine ICAD, 2004	14	2004
Ecologies of listening and presence: Perspectives from a practitioner G Paine Contemporary Music Review 35 (3), 362-371, 2016	13	2016
Developing an ontology of new interfaces for realtime electronic music performance G Paine, J Drummond Proc. EMS 9, 2009	13	2009
Gesture and Morphology in Laptop Music Performance G Paine	12	2011
Reeds: a responsive environmental sound installation G Paine Organised Sound 8 (2), 139-149, 2003	12	2003

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