| The cinema effect S Cubitt Mit Press, 2005 | 684 | 2005 |
| Digital aesthetics S Cubitt Digital Aesthetics, 1-192, 1998 | 552 | 1998 |
| Finite media: Environmental implications of digital technologies S Cubitt Duke University Press, 2016 | 398 | 2016 |
| Timeshift: On video culture S Cubitt Routledge, 2003 | 326 | 2003 |
| EcoMedia S Cubitt EcoMedia, 2005 | 320 | 2005 |
| Ecocinema Theory and Practice 2 S Rust, S Monani, S Cubitt Taylor & Francis, 2023 | 253 | 2023 |
| The practice of light: A genealogy of visual technologies from prints to pixels S Cubitt MIT Press, 2014 | 221 | 2014 |
| Videography: video media as art and culture S Cubitt Bloomsbury Publishing, 1993 | 195 | 1993 |
| Simulation and social theory S Cubitt Simulation and Social Theory, 1-192, 2000 | 175 | 2000 |
| Does cloud computing have a silver lining? S Cubitt, R Hassan, I Volkmer Media, Culture & Society 33 (1), 149-158, 2011 | 110 | 2011 |
| Aliens r us: The other in science fiction cinema Z Sardar, S Cubitt Pluto Press, 2002 | 99 | 2002 |
| Ecomedia: Key Issues S Rust, S Monani, S Cubitt Routledge, 2015 | 93 | 2015 |
| Distribution and media flows S Cubitt Cultural Politics 1 (2), 193-214, 2005 | 81 | 2005 |
| The Third text reader: on art, culture, and theory R Araeen, S Cubitt, Z Sardar Bloomsbury Publishing, 2002 | 78 | 2002 |
| ‘Maybellene’: meaning and the listening subject S Cubitt Popular music 4, 207-224, 1984 | 69 | 1984 |
| Introduction. Le réel, c'est I'impossible: the sublime time of special effects. S Cubitt Screen 40 (2), 1999 | 52 | 1999 |
| Anecdotal evidence S Cubitt NECSUS. European Journal of Media Studies 2 (1), 5-18, 2013 | 50 | 2013 |
| Everybody knows this is nowhere: Data visualization and ecocriticism S Cubitt Ecocinema theory and practice, 279-296, 2012 | 49 | 2012 |
| Virilio and new media S Cubitt Theory, Culture & Society 16 (5-6), 127-142, 1999 | 49 | 1999 |
| Digital filming and special effects S Cubitt The new media book, 17-29, 2002 | 47 | 2002 |
