| Reconstituting the Self: of Names, Discourses and Agency in Amma Darko’s Beyond the Horizon R Asempasah, CA Sam University of Cape Coast, 2016 | 7 | 2016 |
| Theorising the ambiguous space: The narrative architecture of the dilemma tale as an interpretive framework for reading Morrison’s beloved K Opoku-Agyemang, R Asempasah Martin-Luther University Online Working Papers 1, 165-178, 2006 | 6 | 2006 |
| A postcolonial ecocritical reading of Yaa Gyasi’s Homegoing (2016) and Kwakuvi Azasu’s The Slave Raiders (2004) R Asempasah, C Aba Sam, BA Abelumkemah Cogent Arts & Humanities 9 (1), 2145669, 2022 | 5 | 2022 |
| The fragile ‘absolute’: Heremakhonon and the crisis of representation and historical consciousness R Asempasah, M Traore University of Cape Coast, 2014 | 5 | 2014 |
| The Dilemma Tale as an Interpretative Space for Reading the Narrative Techniques of Achebe’s Arrow of God, Anthills of the Savannah, Beloved, and Paradise R Asempasah An unpublished MPhil, University of Cape Coast, 2006 | 5 | 2006 |
| Becoming Traitor at the Margins of “Empire”: Radical Agency and the Search for Community in Coetzee's Waiting for the Barbarians R Asempasah Brolly 2 (2), 53-73, 2019 | 4 | 2019 |
| Thinking a Post-coronavirus Africa: Reading Amma Darko’s Beyond the Horizon in the Era of Covid-19 R Asempasah Kente: Cape Coast Journal of Literature and the Arts 3 (1), 1-22, 2022 | 3 | 2022 |
| War on terror: On re-reading Dracula and Waiting for the Barbarians R Asempasah Rupkatha Journal on Interdisciplinary Studies in Humanities 5 (3), 251-260, 2013 | 3 | 2013 |
| Unsettling the coloniality of power: form, grievability, and futurity in Opoku-Agyemang’s Cape Coast Castle: A Collection of Poems (1996) R Asempasah, E Saboro Cogent Arts & Humanities 8 (1), 1993596, 2021 | 2 | 2021 |
| In search of a post-transatlantic slave trade dwelling and conviviality: rethinking Ghana’s ‘Year of Return’ with Ama Ata Aidoo’s The Dilemma of a Ghost (1965) R Asempasah, SA Bentum Critical African Studies 15 (3), 342-355, 2023 | 1 | 2023 |
| Re-Thinking Beginning: Okri's Famished Road and the Crisis of the Postcolonial Nation R Asempasah Antae 6 (1), 2019 | 1 | 2019 |
| Empire, Monsters and Barbarians: Uncanny Echoes and Reconfigurations of Stoker’s Dracula in Coetzee’s Waiting for the Barbarians R Asempasah Dracula and the Gothic in Literature, Pop Culture and the Arts, 91-118, 2016 | 1 | 2016 |
| Reversing the imperial gaze, affirming possibility: Conrad and Fanon in Amma Darko's beyond the horizon R Asempasah Drumspeak: International Journal of Research in the Humanities, 38-60, 2023 | | 2023 |
| A postcolonial ecocritical reading of Yaa Gyasi’s Homegoing (2016) and Kwakuvi Azasu’s The Slave Raiders (2004) CASBAA Rogers Asempasah Cogent Arts & Humanities 9 (1), 1-13, 2022 | | 2022 |
| Disrupting Hegemony, Anticipating the Future: A Nietzschean Reading of God Dies by the Nile and Purple Hibiscus R Asempasah, CA Sam International Journal of Comparative Literature and Translation Studies 9 (3 …, 2021 | | 2021 |
| Exile and postcolonial national redemption in Ben Okri’s The Famished Road and Chimamanda Ngozi Adichie’s Purple Hibiscus R Asempasah African Studies 79 (3), 267-284, 2020 | | 2020 |
Christabel Aba SamLecturer, University of Cape CoastVerified email at ucc.edu.gh
