| Keeping a distance: the joy of haunted attractions M Hoedt Irish Gothic Journal, 34, 2009 | 12 | 2009 |
| Narrative design and authorship in Bloodborne: An analysis of the horror videogame M Hoedt McFarland, 2019 | 7 | 2019 |
| Staging Hell: Performance and the Horror Genre. M Hoedt Interdisciplinary Humanities 33 (3), 2016 | 5 | 2016 |
| Hell to pay: Christian haunted houses and audience reception M Hoedt The Journal of Religion and Popular Culture 24 (2), 247-259, 2012 | 5 | 2012 |
| Undeath in Paradise: The Humanity of the Zombie in (Religious) Utopias M Hoedt Sic: časopis za književnost, kulturu i književno prevođenje 5 (2), 0-0, 2015 | 4 | 2015 |
| Magic Is Fantastic M Hoedt Visions, The Online Journal of the Art of Magic, 2011 | 3 | 2011 |
| Designed to save: Scenography and ideology in hell house M Hoedt Performance Research 26 (1-2), 48-57, 2021 | 1 | 2021 |
| Gothic Drama and the Uncanny Stage M Hoedt The Palgrave Handbook of Steam Age Gothic, 453-464, 2021 | 1 | 2021 |
| “The Haunt Found Them": The Layers of Performativity, Reality and Illusion in The Houses October Built M Hoedt The Spaces and Places of Horror, 203-220, 2019 | 1 | 2019 |
| Through the Eyes of the Other: The Relationship Between Man and Monster in Siren: Blood Curse M Hoedt The Playful Undead and Video Games, 112-125, 2019 | 1 | 2019 |
| 8 Through the Eyes of the Other M Hoedt The Playful Undead and Video Games: Critical Analyses of Zombies and Gameplay, 2019 | 1 | 2019 |
| ‘There is a curse...’: Performance, adaptation and fidelity in Christopher Green and Sarah Waters’ The Frozen Scream M Hoedt Journal of Adaptation in Film & Performance 9 (3), 223-238, 2016 | 1 | 2016 |
| Acting Out: The Pleasures of Performance Horror M Hoedt PQDT-Global, 2014 | 1 | 2014 |
| Magic and the M-word N Taylor, M Hoedt PSYCRETS, 2012 | 1 | 2012 |
| Re-Imagining the Victim in Post-1970s Horror Media M Hoedt Amsterdam University Press, 2024 | | 2024 |
| Grand-Guignol as Twentieth Century Gothic Drama M Hoedt Twentieth Century Gothic: An Edinburgh Companion, 99-113, 2022 | | 2022 |
| Immersive and Pervasive Performance M Hoedt The Palgrave Handbook of Contemporary Gothic, 1019-1031, 2020 | | 2020 |
| The City and the Underground in Metro 2033 and Metro: Last Light M Hoedt The New Urban Gothic: Global Gothic in the Age of the Anthropocene, 113-130, 2020 | | 2020 |
| Grant Us Eyes: Narrative, Authorship and Genre in Hidetaka Miyazaki’s Bloodborne M Hoedt McFarland and Company, Inc, 2019 | | 2019 |
| Immersive and Pervasive Gothic Performance M Hoedt The Palgrave Handbook of Contemporary Gothic, 2018 | | 2018 |
