| Warm, lively, rough? Assessing agreement on aesthetic effects of artworks E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ... PLoS One 15 (5), e0232083, 2020 | 28 | 2020 |
| Ferocious colors and peaceful lines describing and measuring aesthetic effects H Brinkmann, J Boddy, B Immelmann, E Specker, M Pelowski, H Leder, ... Maske und Kothurn 65 (1), 7-26, 2018 | 10 | 2018 |
| Together in the dark?: Investigating the understanding and feeling of intended emotions between viewers and professional artists at the Venice Biennale. M Pelowski, E Specker, J Boddy, B Immelmann, F Haiduk, G Spezie, ... Psychology of Aesthetics, Creativity, and the Arts, 2022 | 7 | 2022 |
| Wassily Kandinsky’s Conception of a Vibration of the Soul: Art Theory at the Crossroads of Esoteric Literature, Popular Science, and Aesthetics B Immelmann Genealogy of Popular Science: From Ancient Ecphrasis to Virtual Reality 1, 425, 2020 | | 2020 |
| Is Red Warm for Everyone? Assessing the Agreement on Aesthetic Effects of Artworks E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ... Assessing the Agreement on Aesthetic Effects of Artworks (October 4, 2019 …, 2020 | | 2020 |
| Color-Form Correspondences between Introspection and Experiment. B Immelmann, J Boddy, R Rosenberg, H Leder, H Brinkmann Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft (ZÄK) 64 (2), 2019 | | 2019 |
| Kandinsky’s Bauhaus Questionnaire B Immelmann, J Boddy, R Rosenberg, H Leder, H Brinkmann | | 2019 |
| „Albert de RochasLes sentiments, la musique et le geste BMB Immelmann | | |
