Follow
Thierry Ford
Thierry Ford
Paintings Conservator, National Museum of Art, Norway
Verified email at nasjonalmuseet.no
Title
Cited by
Cited by
Year
Bomb-pulse radiocarbon dating of modern paintings on canvas
F Brock, N Eastaugh, T Ford, JH Townsend
Radiocarbon 61 (1), 39-49, 2019
212019
A Non-Invasive Screening Study of Varnishes Applied to Three Paintings by Edvard Munch using Portable Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS)
T Ford, A Rizzo, E Hendriks, T Frøysaker, F Caruso
Heritage Science 7 (13th IRUG Conference), 2019
192019
The “Scream” by Edvard Munch-same motif, different colours, different techniques and approaches–a novel non-invasive comparative study of two of its versions
ICA Sandu, T Ford, C Miliani, K Janssens, G Van Der Snickt, J Striova, ...
5th International Congress on Chemistry for Cultural Heritage (ChemCH2018) 2, 2018
52018
Backing Munch: past and recent attachment of Edvard Munch's monumental Aula paintings to rigid supports
T Froysaker, M Liu, T Ford
Zeitschrift für Kunsttechnologie und Konservierung: ZKK 25 (2), p. 257-272, 2011
52011
Munch and optical coherence tomography: unravelling historical and artist applied varnish layers in painting collections
T Ford, M Iwanicka, E Platania, E Targowski, P & Hendriks
The European Physical Journal Plus 136 (899), 2021
32021
An integrated conservation approach to a historic collection: the controversial varnishing of Munch’s paintings’
T Ford
Transcending Boundaries: Integrated Approaches to Conservation. Preprints of …, 2021
12021
Macro-XRF scanning a Picasso’s Menage de pauvres: a case study
T Ford, G Van der Snickt, K Janssens
Publications A (ed) Picasso, Picabia, Ernst: new perspectives, 12-15, 2018
12018
Revisiting the Surface, Edvard Munch and Varnishes: A Group Case Study and Non-invasive Approach to Conservation Decision-making for Painting Collections
TO Ford
Department of Archaeology, Conservation and History, University of Oslo …, 2022
2022
Bridging the gap between the Munch Room display and the conservation narrative: A decision-making model
T Ford, T Frøysaker, E Hendriks
Art Matters 7, 2022
2022
Revisiting the surface, Edvard Munch and varnishes: a group case study and non-invasive approach to decision-making for painting collections
T Ford
University of Oslo, 2022
2022
Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo
G Papi, N Gram-Bischoff, T Ford
The Burlington Magazine 161 (1396), 532-543, 2019
2019
The evaluation of handheld FTIR spectroscopy as a non-invasive screening method for the identification of varnishes in paintings by Evard Munch
T Ford
5th International Congress on Chemistry for Cultural Heritage, 172-173, 2018
2018
The treatment of three fire damaged paintings from Eidsvoll Church, Norway
TO Ford
Meddelelser om konservering, 3-15, 2004
2004
Handheld FTIR Spectroscopy. The Evaluation of a Non-Invasive Screening Method for the Identification of Varnishes in Paintings by E. Munch
T Ford
Art conservation: an element in nation building?
J Solstad, T Ford, A Bacon
ICOM Committee for Conservation, ICOM-CC, 15th Triennial Conference New …, 0
Tine Frøysaker, Mirjam Liu and Thierry Ford
T Ford
The system can't perform the operation now. Try again later.
Articles 1–16