Bomb-pulse radiocarbon dating of modern paintings on canvas F Brock, N Eastaugh, T Ford, JH Townsend Radiocarbon 61 (1), 39-49, 2019 | 21 | 2019 |
A Non-Invasive Screening Study of Varnishes Applied to Three Paintings by Edvard Munch using Portable Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) T Ford, A Rizzo, E Hendriks, T Frøysaker, F Caruso Heritage Science 7 (13th IRUG Conference), 2019 | 19 | 2019 |
The “Scream” by Edvard Munch-same motif, different colours, different techniques and approaches–a novel non-invasive comparative study of two of its versions ICA Sandu, T Ford, C Miliani, K Janssens, G Van Der Snickt, J Striova, ... 5th International Congress on Chemistry for Cultural Heritage (ChemCH2018) 2, 2018 | 5 | 2018 |
Backing Munch: past and recent attachment of Edvard Munch's monumental Aula paintings to rigid supports T Froysaker, M Liu, T Ford Zeitschrift für Kunsttechnologie und Konservierung: ZKK 25 (2), p. 257-272, 2011 | 5 | 2011 |
Munch and optical coherence tomography: unravelling historical and artist applied varnish layers in painting collections T Ford, M Iwanicka, E Platania, E Targowski, P & Hendriks The European Physical Journal Plus 136 (899), 2021 | 3 | 2021 |
An integrated conservation approach to a historic collection: the controversial varnishing of Munch’s paintings’ T Ford Transcending Boundaries: Integrated Approaches to Conservation. Preprints of …, 2021 | 1 | 2021 |
Macro-XRF scanning a Picasso’s Menage de pauvres: a case study T Ford, G Van der Snickt, K Janssens Publications A (ed) Picasso, Picabia, Ernst: new perspectives, 12-15, 2018 | 1 | 2018 |
Revisiting the Surface, Edvard Munch and Varnishes: A Group Case Study and Non-invasive Approach to Conservation Decision-making for Painting Collections TO Ford Department of Archaeology, Conservation and History, University of Oslo …, 2022 | | 2022 |
Bridging the gap between the Munch Room display and the conservation narrative: A decision-making model T Ford, T Frøysaker, E Hendriks Art Matters 7, 2022 | | 2022 |
Revisiting the surface, Edvard Munch and varnishes: a group case study and non-invasive approach to decision-making for painting collections T Ford University of Oslo, 2022 | | 2022 |
Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo G Papi, N Gram-Bischoff, T Ford The Burlington Magazine 161 (1396), 532-543, 2019 | | 2019 |
The evaluation of handheld FTIR spectroscopy as a non-invasive screening method for the identification of varnishes in paintings by Evard Munch T Ford 5th International Congress on Chemistry for Cultural Heritage, 172-173, 2018 | | 2018 |
The treatment of three fire damaged paintings from Eidsvoll Church, Norway TO Ford Meddelelser om konservering, 3-15, 2004 | | 2004 |
Handheld FTIR Spectroscopy. The Evaluation of a Non-Invasive Screening Method for the Identification of Varnishes in Paintings by E. Munch T Ford | | |
Art conservation: an element in nation building? J Solstad, T Ford, A Bacon ICOM Committee for Conservation, ICOM-CC, 15th Triennial Conference New …, 0 | | |
Tine Frøysaker, Mirjam Liu and Thierry Ford T Ford | | |