| Postmodernist Historical Novels: Jeanette Winterson’s and Salman Rushdie’s Novels as Historiographic Metafictions M KIRCA MIDDLE EAST TECHNICAL UNIVERSITY, 2009 | 22 | 2009 |
| Gender, I-deology: Essays on Theory, fiction and film CCG D'Arcy, JÁG Landa Rodopi, 1996 | 19 | 1996 |
| History as a discourse in Jeanette Winterson's The passion: the politics of alterity MM Asensio Arostegui Journal of English Studies 2, 7-18, 2000 | 16 | 2000 |
| Waugh without end: new trends in Evelyn Waugh studies C Villar Flor, RM Davis Peter Lang Pub Inc, 2005 | 14* | 2005 |
| Wyndham Lewis the radical: essays on literature and modernity C Cunchillos Jaime Peter Lang Pub Inc, 2007 | 12* | 2007 |
| "Take It Easy": Use Songs to Teach English as a Second Language (TFG) A Borraz Fabon Universidad de La Rioja, 2013 | 11* | 2013 |
| Subversion of Sexual Identity in Jeanette Winterson's The Passion MM Asensio Arostegui POSTMODERN STUDIES, 265-279, 1996 | 8 | 1996 |
| Hlenka Regained: Irony and Ambiguity in the Narrator of Woody Allen's Another Woman MM Asensio Arostegui The Films of Woody Allen: Critical Essays, 256, 2006 | 6* | 2006 |
| Fifty years of English Studies in Spain (1952-2002): a commemorative volume E Seoane Posse, MJ López Couso, P Fra López, IM Palacios Martínez Servicio de Publicaciones, 2003 | 6* | 2003 |
| Hlenka Regained: Irony and Ambiguity in the Narrator of Woody Allen's Another Woman MM Asensio Arostegui Miscelánea: A Journal of English and American Studies 15, 1-14, 1994 | 6 | 1994 |
| Recurrent Structural and Thematic Traits in Jeanette Winterson's" The Passion" and" Sexing the Cherry" A Aróstegui, M del Mar Universidad de Zaragoza, 2003 | 3 | 2003 |
| En el espejo de la cultura: mujeres e iconos femeninos MA Flórez ArCiBel Editores, 2003 | 3* | 2003 |
| Written Narration Versus Oral Storytelling in Jeanette Winterson’s The Passion MM Asensio Arostegui Actas del XVIII Congreso de AEDEAN, 459-464, 1994 | 3* | 1994 |
| El uso de las canciones en el aula de inglés de Primaria (TFG) I Jurio Jusue Universidad de La Rioja, 2014 | 2* | 2014 |
| Recurrent Structural and Thematic Traits in Jeanette Winterson’s The Passion and Sexing the Cherry: Time, Space and the Construction of Identity MM Asensio Arostegui Servicio de publicaciones de la Universidad de La Rioja, 2008 | 2 | 2008 |
| Self-Consciousness and Intertextuality in Ridley Scott's Blade Runner MM Asensio Aróstegui Atlantis 16 (1-2), 21-37, 1994 | 2 | 1994 |
| Grotesque Realism, Satire, Carnival and Laughter in Snooty Baronet by Wyndham Lewis MM Asensio Arostegui Revista de Comunicación de la SEECI, 95-115, 2008 | 1 | 2008 |
| Fatherhood: a way to sanctity in Bill Anderson's adaptation of Evelyn Waugh's Sword of Honour J Diaz Cuesta, MM Asensio Arostegui Waugh Without End. New Trends in Evelyn Waugh Studies, 259-273, 2005 | 1 | 2005 |
| Recurrent Structural and Thematic Traits in Jeanette Winterson's The Passion and Sexing the Cherry: Time, Space and the Construction of Identity MM Asensio Arostegui Universidad de Zaragoza, 2003 | 1 | 2003 |
| Written words turned into moving Images: Jeanette Winterson translates Oranges Are Not the Only Fruit for the Screen MM Asensio Aróstegui Trasvases culturales: literatura, cine y traducción 3, 71-80, 2001 | 1 | 2001 |
