| "An Art Which Is Honest Enough to Despair and Yet Go On": The Limitations and Potential of Narrative in Three Contemporary Irish Novels KA McCarthy PQDT-Global, 2012 | 4 | 2012 |
| The split consciousness required to teach poetry to student teachers in a South African metropolitan university KA McCarthy Masixhase abantwana bakwazi ukufunda nokubhala: Let us enable our children …, 2020 | 3 | 2020 |
| Secrets and Grace in Sebastian Barry’s The Secret Scripture KA McCarthy Nordic Irish Studies 16, 37-54, 2017 | 3 | 2017 |
| A fool’s errand: Blanchot, mourning and The Sea KA McCarthy John Banville and His Precursors, 165-176, 2019 | 2 | 2019 |
| Making poetry accessible and enjoyable: Towards excellent teaching N Fulani, M Hendricks, K McCarthy Lessons from the Kalahari: Tracking Teachers’ Professional Development, 1-15, 2019 | 2 | 2019 |
| Present-Tense Narration and Representing Trauma in Anne Enright’s The Gathering KA McCarthy KronoScope 19 (2), 212-227, 2019 | 1 | 2019 |
| Untangling Nemesis and Echo from John Banville’s Narcissistic Shroud KA McCarthy Journal of Literary Studies 33 (1), 108-120, 2017 | 1 | 2017 |
| “I never imagined her vividly enough”: representations of women in John Banville’s Eclipse, Shroud, Ancient Light and Mrs Osmond KA McCarthy University of Johannesburg, 2022 | | 2022 |
| “The Incest Plot” in John Banville’s Ancient Light KA McCarthy ABEI Journal – The Brazilian Journal of Irish Studies 24 (2), 71-83, 2022 | | 2022 |
| Une quête insensée: Blanchot, le deuil et La Mer K McCarthy Europe Revue Littéraire Mensuelle 99 (1111-1112), 198-208, 2021 | | 2021 |
