| New light on Jacobus, Author of Speculum musicae K Desmond Plainsong & medieval music 9 (1), 19-40, 2000 | 31 | 2000 |
| Music and the moderni: The a rs nova in Theory and Practice K Desmond Cambridge University Press, 2018 | 25 | 2018 |
| Sicut in grammatica: Analogical Discourse in Chapter 15 of Guido's Micrologus K Desmond The Journal of Musicology 16 (4), 467-493, 1998 | 25 | 1998 |
| Behind the mirror: Revealing the contexts of Jacobus's Speculum musicae K Desmond New York University, 2009 | 18 | 2009 |
| Did Vitry write an Ars vetus et nova? K Desmond The Journal of Musicology 32 (4), 441-493, 2015 | 17 | 2015 |
| Next Steps for Measuring Polyphony: A Prototype Editor for Encoding Mensural Music K Desmond Music Encoding Conference 2020, 2020 | 10 | 2020 |
| The ‘Ars musica’Attributed to Magister Lambertus/Aristoteles C Meyer, K Desmond Routledge, 2017 | 9 | 2017 |
| The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies C Bradley, K Desmond, A Stones, AK Grau, A Ibos-Augé, D Maw, D Pesce, ... Boydell and Brewer, 2018 | 8 | 2018 |
| Texts in Play: The Ars nova and its Hypertexts K Desmond Musica disciplina 57, 81-153, 2012 | 8 | 2012 |
| Refusal, The Look of Love, and the Beastly Woman of Machaut's Balades 27 and 38 K Desmond Early music history 32, 71-118, 2013 | 7 | 2013 |
| ‘One is the loneliest number...’: the semibreve stands alone K Desmond Early music 46 (3), 403-416, 2018 | 6 | 2018 |
| Encoding polyphony from medieval manuscripts notated in mensural notation K Desmond, L Pugin, J Regimbal, D Rizo, C Sapp, ME Thomae Universidad de Alicante, 2022 | 4 | 2022 |
| Deus in adiutorium intende Revisited: Sources and Contexts EM Maschke, CA Bradley, K Desmond The Montpellier Codex: The Final Fascicle: Contents, Contexts, Chronologies …, 2018 | 4 | 2018 |
| Computer-aided Analysis of Sonority in the French Motet Repertory, c. 1300-1350 K Desmond, E Hopkins, S Howes, JE Cumming Music theory online 26 (4), 2020 | 3 | 2020 |
| Texture, Rhythm, and Stylistic Groupings in Montpellier 8 Motets K Desmond, CA Bradley The Montpellier Codex, the final fascicle: contents, contexts, chronologies …, 2018 | 3 | 2018 |
| Measuring Polyphony: An Online Music Editor for Late Medieval Polyphony K Desmond | 2 | 2021 |
| W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250 K Desmond Journal of the American Musicological Society 73 (3), 639-709, 2020 | 2 | 2020 |
| Jean des Murs and the Three Libelli on Music in BnF lat. 7378A: A Preliminary Report K Desmond Erudition and the Republic of Letters 4 (1), 40-63, 2019 | 2 | 2019 |
| Medieval Music Rolls, Scribes and Performance: The Extant Rolls of Thirteenth-Century English Polyphony K Desmond Manuscripts and Performances in Religions, Arts, and Sciences, 189, 2023 | 1 | 2023 |
| The Indicative Mood: A Response to Margaret Bent K Desmond Music & letters 104 (1), 114-122, 2023 | 1 | 2023 |
Catherine A BradleyProfessor of Musicology University of OsloVerified email at imv.uio.no
