| " Must Be Heavyset": Casting Women, Fat Stigma, and Broadway Bodies R Donovan | 14 | 2019 |
| Broadway Bodies: A Critical History of Conformity R Donovan OXFORD University Press US, 2023 | 4 | 2023 |
| acts of recognition: Gesture and national identity in agnes de Mille’s ‘Civil war Ballet’ R Donovan Studies in Musical Theatre 6 (3), 325-333, 2012 | 4 | 2012 |
| Dance in musical theatre JD Das, R Donovan Studies in Musical Theatre 13 (1), 3-7, 2019 | 3 | 2019 |
| The Routledge Companion to Musical Theatre L MacDonald, R Donovan, WA Everett Routledge, 2023 | 2 | 2023 |
| Broadway Bodies: Casting, Stigma, and Difference in Broadway Musicals Since A Chorus Line (1975) R Donovan City University of New York, 2019 | 2 | 2019 |
| If You Were Gay, That'd Be Okay: Marketing LGBTQ+ Musicals from La Cage to The Prom R Donovan Gender, Sex, and Sexuality in Musical Theatre, 155-174, 2023 | 1 | 2023 |
| THAT’S SHOWBIZ, KID R Donovan The Routledge Companion to Musical Theatre, 2022 | 1* | 2022 |
| ‘Now you know’: On Sondheim and middle age R Donovan Studies in Musical Theatre 17 (3), 223-228, 2023 | | 2023 |
| Queer Approaches in Musical Theatre R Donovan Bloomsbury Publishing, 2023 | | 2023 |
| The Body Politics of Broadway: An excerpt from the recently released book Broadway Bodies: A Critical History of Conformity sheds light on musical theater's longtime fixation … R Donovan Dance Magazine 97 (4), 22-24, 2023 | | 2023 |
| Love Is Love Is Love: Broadway Musicals and LGBTQ Politics, 2010–2020 by Aaron C. Thomas R Donovan Theatre Journal 75 (3), 377-378, 2023 | | 2023 |
| An American in Tokyo?: Musical Theatre Dance's Transnational Movements R Donovan The Routledge Companion to Musical Theatre, 25-38, 2022 | | 2022 |
| “That's Showbiz, Kid”: Casting as Process and Product R Donovan The Routledge Companion to Musical Theatre, 298-312, 2022 | | 2022 |
| Style as Star: Bob Fosse and Sixty Seconds That Changed Broadway R Donovan The Routledge Companion to the Contemporary Musical, 48-57, 2019 | | 2019 |
| Queer Dance: Meanings & Makings. Edited by Clare Croft. New York: Oxford University Press, 2017; pp. xviii+ 315, 28 images. $35.99 e-book. R Donovan Theatre Survey 60 (1), 166-168, 2019 | | 2019 |
| Acts of recognition: Gesture and national identity in Agnes de Mille’s ‘Civil War Ballet’Published in Studies in Musical Theatre 6: 3 (2012), 325-333.© 2012 Intellect Ltd … R Donovan | | |
Joanna Dee DasWashington University in St. LouisVerified email at wustl.edu
Joanna Dee DasWashington University in St. LouisVerified email at wustl.edu