Involution: a perspective for understanding Japanese animation's domestic business in a global context R Mihara Japan Forum 32 (1), 102-125, 2020 | 18 | 2020 |
ハルヒ in USA: 日本アニメ国際化の研究 三原龍太郎 NTT 出版, 2010 | 17* | 2010 |
クール・ジャパンはなぜ嫌われるのか 三原龍太郎 中公新書クラレ, 2014 | 12* | 2014 |
Haruhi in USA: A case study of a Japanese anime in the United States R Mihara | 9 | 2009 |
Brokering anime: How to create a Japanese animation business bridge between Japan and India R Mihara University of Oxford, 2017 | 8 | 2017 |
Past, present, and future of storyboarding in Japanese animation J Kato, R Mihara, N Hirasawa Society for Animation Studies Conference, Online 16, 2021 | 3 | 2021 |
A Coming of Age in the Anthropological Study of Anime?: Introductory Thoughts Envisioning the Business Anthropology of Japanese Animation R Mihara Journal of Business Anthropology 9 (1), 88-110, 2020 | 3 | 2020 |
試論: クール・ジャパンと通商政策 三原龍太郎 RIETI Discussion Paper Series 13-J-051, 2013 | 3* | 2013 |
‘Cool Japan’and Its Discontents R Mihara January, 2013 | 2 | 2013 |
Bandai Entateinmento: Hokubei Anime Shijou ni okeru Aratana Bijinesumoderu no Mosaku (Bandai Entertainment: in Search for the New Business Models in the North American Anime … R Mihara, M Yamazaki Hitotsubashi Business Review 58 (3), 140-153, 2010 | 2 | 2010 |
How an Animation Production Studio Survived the Pandemic: The Case of Graphinica, Inc. N Hirasawa, R Mihara Journal of Business Anthropology 11 (2), 2022 | 1 | 2022 |
Global Presence of Japanese Popular Culture as one of the Cultural Waves from Asia R Mihara XVIII ISA World Congress of Sociology (July 13-19, 2014), 2014 | | 2014 |
Networking “Cool Japan”: Re-Considering the Notion of “Network” through the Global Spread of Japanese Popular Culture R Mihara XVIII ISA World Congress of Sociology (July 13-19, 2014), 2014 | | 2014 |
「本場」 の度量を 三原龍太郎 文芸春秋 92 (9), 85-87, 2014 | | 2014 |
クールジャパンとコンテンツ流通 今川拓郎, 牧野二郎, 小尾一介, 豊永真美, 三原龍太郎, 松井剛 情報通信学会誌 29 (2), 20-31, 2011 | | 2011 |
ウロボロスの環, あるいはアニメオリエンタリズム試論 三原龍太郎 一橋ビジネスレビュー 58 (3), 2010 | | 2010 |