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Hussein A. Alhawamdeh
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The Different Western Perception of the Oriental Moor in the Renaissance and the Twentieth Century: Shakespeare's Othello and Tayeb Salih's Season of Migration to the North: A …
HA Alhawamdeh
Transnational Literature 5 (2), 1-11, 2013
102013
"'Shakespeare Had the Passion of an Arab': The Appropriation of Shakespeare in Fadia Faqir's Willow Trees Don't Weep"
HA Alhawamdeh
Critical Survey 30 (4 Dec), 1-21, 2018
82018
The Restoration Muslim Tangerines Caliban and Sycorax in Dryden-Davenant’s Adaptation of Shakespeare’s The Tempest
HA Alhawamdeh
Critical Survey 33 (3-4), 121–140, 2021
52021
Honor Crimes in Sahar Khalifeh’s The Inheritance and Sean O’Casey’s Juno and the Paycock: A Comparative Study
HA Alhawamdeh
Studies in Literature and Language 11 (6), 105-113, 2015
52015
The Archaeological and Postcolonial Transformation of the Discourse of Orientalism from Renaissance to Restoration Drama
HA Alhawamdeh
https://www.proquest.com/openview/6ece1e79226883272d652c3548da2bd6/1.pdf?pq …, 2011
42011
The staging of William III's politics of peace with the Turks and The Alcoran of Mahomet in Nicholas Rowe's Tamerlane
HA Alhawamdeh
Orbis Litterarum, https://doi.org/10.1111/oli.12345, 2022
32022
She is no Desdemona: A Syrian Woman in Samar Attar’s Shakespearean Subversions
HA Alhawamdeh
Middle Eastern Literatures 21 (2-3), 154-170, 2018
32018
SHAKESPEARE IN THE ARAB JORDANIAN CONSCIOUSNESS: SHYLOCK IN THE POETRY OF ʿARĀR (MUSTAFA WAHBI AL-TAL)
HA Alhawamdeh, IS Almazaidah
Arab Studies Quarterly 40 (4), 319-335, 2018
32018
The Cultural Transformation of the Trope of the Renegade in Late Seventeenth- and Early Nineteenth-Century English Drama: John Dryden’s Don Sebastian and Frederick Reynolds’s …
HA Alhawamdeh
Critical Survey 34 (3), 18–38 https://doi.org/10.3167/cs.2022.34, 2022
22022
The Different Representation of Postcolonial Magic Realism in William Shakespeare’s The Tempest and Franz Kafka’s The Metamorphosis
HA Alhawamdeh
British Journal of Humanities and Social Sciences 12 (1), 1-13, 2014
22014
The staging of Islam and The Alcoran of Mahomet in Charles Saunders’s Tamerlane the Great and the Restoration politics
HA Alhawamdeh
The Seventeenth Century 38 (2), 325-348, 2023
12023
Shakespeare as an Icon of Peace and Human Coexistence in Mahmoud Darwish’s Shakespearean Appropriations
HA Alhawamdeh
Forum for World Literature Studies 14 (1), 151-172, 2022
12022
The Dramatization of the Shepherd Warrior in Christopher Marlowe’s Tamburlaine and the Jordanian Drama Bedouin Series Rās Ghlaiṣ (‘The Head of Ghlaiṣ’)
HA Alhawamdeh, FM Alwaraydat
Journal of Screenwriting 13 (2), 169-186, 2022
12022
Staging the Tories' Islamic Jihad against George I and the Whigs in Edward Young's The Revenge
HA Alhawamdeh
Orbis Litterarum, https://doi.org/10.1111/oli.12436, 2024
2024
Stylistic Narrative of “Otherness”: A Study of Power Relations in John Steinbeck’s “The Murder” and Gabriel García Márquez’s “A Very Old Man with Enormous Wings”
HA Alhawamdeh, HM Talafha, M Jarrah
Dirasat, Human and Social Sciences 46 (4), 449-459, 2019
2019
Sir Charles Sedley’s Adaptation of Shakespeare’s Antony and Cleopatra: Transformation from Anxiety into Admiration
ER Al-Haddar, HA Alhawamdeh
International Journal of English and Education 8 (1), 23-33, 2019
2019
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Articles 1–16