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Catherine M. Cole
Catherine M. Cole
Verified email at uw.edu - Homepage
Title
Cited by
Cited by
Year
Performing South Africa's truth commission: Stages of transition
CM Cole
Indiana University Press 94305, 217-232, 2010
3342010
Ghana's concert party theatre
CM Cole
Indiana University Press, 2001
2232001
Africa after gender?
CM Cole, T Manuh, S Miescher
Indiana University Press, 2007
1532007
Performance, transitional justice, and the law: South Africa's Truth and Reconciliation Commission
CM Cole
Theatre Journal, 167-187, 2007
1072007
Of California: The Yosemite of Higher Education
CM Cole
Boom: A Journal of California 2 (3), 99-107, 2012
682012
Reading blackface in West Africa: Wonders taken for signs
CM Cole
Critical Inquiry 23 (1), 183-215, 1996
581996
Acts of transgression: Contemporary live art in South Africa
J Pather, C Boulle
Wits University Press, 2019
322019
Routes of Blackface
CM Cole, TC Davis
TDR/The Drama Review 57 (2), 7-12, 2013
302013
Sex and death on display: Women, reproduction, and fetuses at Chicago's Museum of Science and Industry
C Cole
TDR (1988-) 37 (1), 43-60, 1993
251993
American Ghetto Parties and Ghanaian Concert Parties: A Transnational Perspective on Blackface
CM Cole, S Johnson
Burnt cork: Traditions and legacies of blackface minstrelsy, 223-257, 2012
242012
Introduction: When was gender?
SF Miescher, T Manuh, CM Cole
Africa after gender, 1-14, 2007
242007
‘This is actually a good interpretation of modern civilisation’: popular theatre and the social imaginary in Ghana, 1946–66
CM Cole
Africa 67 (3), 363-388, 1997
211997
15 “Give Her a Slap to Warm Her Up”: Post-Gender Theory and Ghana’s Popular Culture
CM Cole
Africa after gender?, 270, 2007
152007
At the convergence of transitional justice and art
CM Cole
International Journal of Transitional Justice 8 (2), 314-322, 2014
142014
Africa After Gender?
S Tamale, CM Cole, T Manuh, S Miescher
Indiana University Press, 2007
132007
Performance and the Afterlives of Injustice
CM Cole
122020
When is African Theater ‘Black’?
CM Cole
Black cultural traffic: Crossroads in global performance and popular culture …, 2005
122005
16 Theatres of Truth, Acts of Reconciliation: The TRC in South Africa
CM Cole
A Research in African Literatures Book African Expressive Cultures, 219, 2004
112004
Africa after gender?
S Miescher, T Manuh, CM Cole
Indiana University Press, 2007
92007
When a Man Loves a Woman: Gender and National Identity in Wole Soyinka’s Death and the King’s Horseman and Mariama Bâ’s Scarlet Song
E Julien
Africa After Gender, 205-22, 2007
62007
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