| Kanji and non-homophonous furigana: Foreign language readings and character (stereo) types in manga RC Redmond Discourse, Context & Media 32, 100323, 2019 | 6 | 2019 |
| Constructing boyishness: A sociophonetic analysis of Japanese anime voice actresses performing male roles RC Redmond The Journal of the Acoustical Society of America 140 (4_Supplement), 3402-3402, 2016 | 6 | 2016 |
| Sounds like misogyny: Voicing cross-gender roles in anime and discourses surrounding female fandom on 2channel R Redmond Mechademia 13 (2), 102-119, 2021 | 5 | 2021 |
| ボーイズラブマンガにおけるセクシュアリティと役割語―Linguistic Identity in Japanese Boys’ Love Manga― RC Redmond 役割語・キャラクター言語研究国際ワークショップ2015報告論集, 138-150, 2016 | 1* | 2016 |
| Review of Baker & Balirano (2018): Queering Masculinities in Language and Culture RC Redmond Journal of Language and Sexuality 10 (1), 93-96, 2021 | | 2021 |
| The commodifiability of Japanese masculinity: Young male idol talk on-and off-stage R Redmond | | 2021 |
| Herbivore in the streets: A participant observation approach to hybrid masculinity performance and the linguistic practices of underground male idols in Japan RC Redmond University of California, Davis, 2020 | | 2020 |
| Speaking of sexuality: Analyzing [s] as an index of speaker identity in Japanese RC Redmond The Journal of the Acoustical Society of America 142 (4_Supplement), 2583-2583, 2017 | | 2017 |
| Sounds Like Misogyny R REDMOND | | |
