| Damsels and divas: European stardom in silent Hollywood A Frymus Rutgers University Press, 2020 | 18 | 2020 |
| GO WEST! 2 Bristol's Film and Television Industries A Spicer, S Presence, A Frymus University of the West of England, 2022 | 7 | 2022 |
| Go West! 2 A Spicer, S Presence, A Frymus | 6 | 2017 |
| Black moviegoing in Harlem: The case of the Alhambra Theater, 1905–1931 A Frymus JCMS: Journal of Cinema and Media Studies 62 (2), 80-101, 2023 | 4 | 2023 |
| Mapping Black Cinemagoing in Harlem, New York City, 1909-1914 A Frymus New Perspectives on Early Cinema History: Concepts, Approaches, Audiences …, 2022 | 4* | 2022 |
| Evelyn Preer and Black female stardom in the silent film era A Frymus Feminist Media Studies 22 (5 (2022)), 1-17, 2021 | 4 | 2021 |
| Pocahontas and Settler Colonialism in Early Film, 1907–1910 A Frymus JCMS: Journal of Cinema and Media Studies 60 (3), 83-103, 2021 | 4 | 2021 |
| Researching black women and film history A Frymus Alphaville: Journal of Film and Screen Media 2020 (20), 228-236, 2021 | 4 | 2021 |
| ‘Ah, love! It’s not for me!’Off-screen romance and Pola Negri’s star persona A Frymus Celebrity Studies 8 (2), 294-311, 2017 | 4 | 2017 |
| Cinemagoing in Kuala Lumpur: Memories, Moves, and the Multiethnic City, 1970 - 1979 A Frymus Film History 34 (1), 2022 | 2 | 2022 |
| Jetta Goudal versus the studio system: Star labour in 1920s Hollywood A Frymus Historical Journal of Film, Radio and Television 39 (1), 36-53, 2019 | 2 | 2019 |
| Imagining Chinatown:'Broken Blossoms'(1919) in Britain A Frymus OTHER MODERNITIES= ALTRE MODERNITA-RIVISTA DI STUDI LETTERARI E CULTURALI, 12-37, 2018 | 2 | 2018 |
| Ordinary People, Ordinary Lives: The Prospects of New Cinema History. A Frymus Iluminace, 2022 | 1 | 2022 |
| Europe comes to Hollywood: The silent era, 1912–1927 A Frymus The Routledge Companion to European Cinema, 232-242, 2021 | 1 | 2021 |
| ‘The almost perfect Anglo-Saxon type, more English than the English’: Vilma Bánky’s star image in 1920s America A Frymus Early Popular Visual Culture 15 (4), 425-441, 2017 | 1 | 2017 |
| Evil Women and the Feminine: The Eternal Vamp and The Construction of Pola Negri’s Star Persona in 1920’s America A Frymus Perceiving Evil: Evil Women and the Feminine, 119-128, 2015 | 1 | 2015 |
| Cobra Kai Never Dies! Generational seriality and revived legacies of The Karate Kid A Frymus The Journal of Popular Culture 57, 2024 | | 2024 |
| “A United Stand and a Concerted Effort”: Black Cinema-going in Harlem and Jacksonville During the Silent Era D Morton, A Frymus The Palgrave Handbook of Comparative New Cinema Histories, 53-71, 2024 | | 2024 |
| Silent film era and marginalised spectatorship A Frymus Early Popular Visual Culture 21 (2), 183-188, 2023 | | 2023 |
| White screens, Black fandom: silent film and African American spectatorship in Harlem A Frymus Early Popular Visual Culture 21 (2), 248-265, 2023 | | 2023 |
Andrew SpicerProfessor of Cultural ProductionVerified email at uwe.ac.uk
