| Revisiting Gentlemanliness in 20th Century Britain: Kazuo Ishiguro's The Remains of the Day Y AKBAY Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 62 (2), 1574-1592, 2022 | 1 | 2022 |
| Exposure to Another Culture: Shaping the Self of the Subaltern in Buchi Emecheta’s Kehinde Y Akbay Trakya University Journal of Faculty of Letters 14 (27), 79-95, 2024 | | 2024 |
| The Divine Mandate of Colonialism: Orientalism in Wilkie Collins’s The Black Robe Y Akbay Hacettepe University Journal of Faculty of Letters 40 (2), 531-539, 2023 | | 2023 |
| Awakening a Nation: A Rhetorical Analysis of Derek Walcott's "The Sea Is History" Y Akbay RumeliDE Journal of Language and Literature Studies, 530-536, 2023 | | 2023 |
| Invisible Bullets of the British Raj: Subversion and Containment in Rudyard Kipling's Kim Y Akbay SYNERGY: TRANSLATION STUDIES, LITERATURE, LINGUISTICS 3, 175-186, 2022 | | 2022 |
| Breaking the Borders: Womanhood and Self-Attainment in Sefi Atta's Everything Good Will Come Y Akbay Exploring Borders and Boundaries in the Humanities 1, 14-24, 2021 | | 2021 |
| Melodrama as a “Foster Child” of Art and Literature Y Akbay Akademik Açı 1 (1), 197-204, 2021 | | 2021 |
| A Deconstructive Reading of the Nigerian Subaltern in Zaynab Alkali’s The Stillborn Y Akbay | | 2020 |
| A deconstructive reading of the Nigerian subaltern: Zaynab Alkalis The Stillborn, Buchi Emechetas Kehinde and Sefi Attas Everything Good Will Come Y Akbay Graduate School of Social Sciences, 2017 | | 2017 |
| A Study of William Shakespeare’s Comedy Twelfth Night from a New Historicist Perspective YM Akbay | | 2015 |
