| The Metaphorical Stage of JM Coetzee's Waiting for the Barbarians SS Dibavar, P Abbasi, H Pirnajmuddin Research in African Literatures 50 (4), 87-107, 2019 | 6 | 2019 |
| Social Mind as Author (ity) in JM Coetzee's Foe SS Dibavar, P Abbasi, H Pirnajmuddin Research in African Literatures 51 (4), 190-210, 2020 | 4 | 2020 |
| Playing Safe: The Writer behind the Text of Wuthering Heights SS Dibavar, S Ahmadzadeh Advances in Language and Literary Studies 5 (3), 1-8, 2014 | 3 | 2014 |
| JM Coetzee’s Foe: A narrative of dislocation through assimilation SS Dibavar, P Abbasi, H Pirnajmuddin Brno studies in English 48 (1), 201-218, 2022 | 2 | 2022 |
| Lucy Lurie's Compromise: Internally Persuasive Discourse in JM Coetzee's DISGRACE S Saei Dibavar, P Abbasi, H Pirnajmuddin The Explicator 76 (2), 78-83, 2018 | 2 | 2018 |
| The politics of minoritarian becomings: a Deleuzian approach to Macbeth and Othello S Saei Dibavar, P Abbasi Neohelicon 44, 505-521, 2017 | 1 | 2017 |
| Privileged Empathy in Susan Glaspell’s Trifles S Saei Dibavar, S Saei Dibavar ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 37 (1), 55-61, 2024 | | 2024 |
| Fantrapasy: Narrative Entrapment and Inescapability of Fate: The Case of Late Mrs Mallard S Saei Dibavar, S Saei Dibavar ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 1-4, 2023 | | 2023 |
| Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World S Saei Dibavar, A Neyestani Critique: Studies in Contemporary Fiction, 1-14, 2023 | | 2023 |
| Disability as Narrative Prosthesis in Charles Dickens's A Christmas Carol. FN Roshnavand, SS Dibavar Critical Literary Studies 5 (1), 2022 | | 2022 |
| Deconstructing master narratives through cognitive games in Hanay Geiogamah’s Body Indian, Foghorn, and 49 S Saei Dibavar, Z Jannessari Ladani Neohelicon 48, 695-718, 2021 | | 2021 |
| Moderately and melodiously: Of music education in Marguerite Duras’s Moderato Cantabile S Saei Dibavar, S Saei Dibavar The Explicator 79 (1-2), 29-34, 2021 | | 2021 |
| Café as a Dual Space in Marguerite Duras's Moderato Cantabile S Saei Dibavar, S Saei Dibavar Journal of Applied Linguistics and Applied Literature: Dynamics and Advances …, 2021 | | 2021 |
| Dr(e)amatic encounters: The role of embedded narratives <?br?>in J. M. Coetzee’s Waiting for the Barbarians S Saei Dibavar, P Abbasi, H Pirnajmuddin English Text Construction 13 (1), 22-45, 2020 | | 2020 |
| Propast liberalizma: Mogući svjetovi u romanu Rabbit, Run Johna Updikea H Pirnajmuddin, S Saei Dibavar Anafora: Časopis za znanost o književnosti 7 (1), 145-163, 2020 | | 2020 |
| Liberal Failure: Possible Worlds in John Updike's Rabbit, Run H Pirnajmuddin, SS DIBAVAR Anafora 7 (1), 145-163, 2020 | | 2020 |
| Closure in J. M. Coetzee’s Disgrace A cognitive approach SS Dibavar, P Abbasi, H Pirnajmuddin English Text Construction 12 (1), 1-28, 2019 | | 2019 |
| Deixis and delayed decoding in Joseph Conrad’s Falk S Saei Dibavar, H Pirnajmuddin Neohelicon 45, 789-806, 2018 | | 2018 |
| The world within the word: a Lacanian reading of William Gass’s" Emma enters a sentence of Elizabeth Bishop’s" SS Dibavar, H Pirnajmuddin Journal of English Studies, 279-294, 2017 | | 2017 |
| Thirst for Knowledge in Patricia Cornwell’s Postmortem MNMN Baghaei, A Ramazani, SS Dibavar In the Name of Allah, the Compassionate, the Merciful, 201, 0 | | |
