Meyer's Anvil: Revisiting the Schema Concept V Byros Music Analysis 31 (3), 273-346, 2012 | 75 | 2012 |
Towards an “archaeology” of hearing: schemata and eighteenth-century consciousness V Byros Musica Humana 1 (2), 235-306, 2009 | 59 | 2009 |
Foundations of tonality as situated cognition, 1730-1830: An enquiry into the culture and cognition of eighteenth-century tonality with Beethoven's “Eroica” symphony as a case … V Byros Yale University, 2009 | 55* | 2009 |
Topics and Harmonic Schemata: A Case from Beethoven V Byros The Oxford Handbook of Topic Theory, 2014 | 49 | 2014 |
TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’YET ‘DIFFICULT’SONATA V Byros Eighteenth-Century Music 10 (2), 213-252, 2013 | 40 | 2013 |
‘Hauptruhepuncte des Geistes’: Punctuation Schemas and the Late-Eighteenth-Century Sonata V Byros What is a Cadence?: Theoretical and Analytical Perspectives on Cadences in …, 2015 | 37 | 2015 |
Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of JS Bach. V Byros Music Theory Online 21 (3), 2015 | 36 | 2015 |
Unearthing the Past: Theory and Archaeology in Robert Gjerdingen's Music in the Galant Style V Byros Music Analysis 31 (1), 112-124, 2012 | 19 | 2012 |
Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca V Byros Intégral 31, 63-89, 2017 | 7 | 2017 |
2006 Patricia Carpenter Emerging Scholar Award: Competing" Windows of Order": The Dialectics of System-Construction and-Withdrawal in Berg's Sonata for Piano, Op. 1 V Byros Theory and Practice 33, 273-327, 2008 | 6 | 2008 |
Review of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012) V Byros Music Theory Online 18 (3), 2012 | 3 | 2012 |
Thinking in Bach's Language, Teaching in His Shoes: How the Thomaskantor Structured My Syllabus as a Modern-Day Notenbüchlein or Zibaldone V Byros Bach 49 (2), 175-204, 2018 | 2 | 2018 |
Of Elegant Tones and Fantastical Progressions: A Historical, Schema-Based, and Comprovisational Perspective on Diminished Seventh-Chord Modulation, c. 1720–1830. Or, an … V Byros | 1 | 2022 |
LUDWIG VAN BEETHOVEN (1770–1827) THE LATE QUARTETS Quatuor Mosaïques Naive V5445, 2017; three discs, 188 minutes V BYROS Eighteenth-Century Music 16 (1), 76-79, 2019 | | 2019 |