| Community in twentieth-century fiction P Salvan, G Salas, J Heffernan Springer, 2016 | 15 | 2016 |
| Katherine Mansfiel: El posmodernismo incipiente de una modernista renegada GR Salas Editorial Verbum, 2009 | 11 | 2009 |
| Femininity and vampirism as a close circuit:“The Lady of the House of Love” by Angela Carter G Rodríguez Salas Aranzadi, 2008 | 11 | 2008 |
| No more lullabies for foolish virgins: Angela Carter and" The Erl-King" GR Salas ES: Revista de filología inglesa, 223-231, 2010 | 9 | 2010 |
| ‘Two Grinning Puppets Jigging Away in Nothingness:” Symbolism and the Community of Lovers in Katherine Mansfield’s Short Fiction GR Salas Community in Twentieth-Century Fiction, 67-83, 2016 | 8 | 2016 |
| Hijas de la diosa blanca: ginocrítica y feminismo restaurador en la narrativa de Katherine Mansfield G Salas-Rodríguez | 8* | 2007 |
| 'Time and tide': an interview with Carmel Bird GR Salas, C Bird Atlantis 28 (2), 125-132, 2006 | 6 | 2006 |
| Coalescencia: una aproximación a la escritura de Hélène Cixous G Rodríguez Salas Feminismo/s. N. 7 (jun. 2006); pp. 145-161, 2006 | 6 | 2006 |
| La marginalidad como opción en Katherine Mansfield: postmodernismo, feminismo y relato corto G Rodríguez Salas Granada: Universidad de Granada, 2003 | 6 | 2003 |
| When Strangers Are Never At Home: A Communitarian Study of Janet Frame’s The Carpathians GR Salas Community in Twentieth-Century Fiction, 159-176, 2013 | 5 | 2013 |
| ‘Just as a scientific hypothesis’. The literary language of madness in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’. G Rodríguez-Salas Odisea 13, 105-112, 2012 | 5 | 2012 |
| “When it’s dark outside”: Secrecy, Death and the Unworking of Community in Janet Frame’s The Lagoon and Other Stories G Rodríguez-Salas, JJ Heffernan Chasing Butterflies: Janet Frame's The Lagoon and Other Stories, 73, 2011 | 5 | 2011 |
| EGE Bulwer-Lytton's Covert Anti-Feminism in the Coming Race1 GR Salas Femspec 6 (2), 87, 2005 | 5 | 2005 |
| Presentación G Rodríguez-Salas, ME Rodríguez Martín El Cuento en red: Estudios sobre la Ficción Breve, 1, 2005 | 5* | 2005 |
| Tasmania’s Cupboard: Indigenous and Convict Australia in Carmel Bird’s Writing G Rodríguez-Salas Journal of Language, Literature and Culture 65 (3), 169-186, 2018 | 4 | 2018 |
| " I Am Just As Much Dead as He Is": Community, Finitude and Sibling Intimacy in Katherine Mansfield G Rodríguez-Salas Atlantis, 63-82, 2016 | 4 | 2016 |
| 'CLOSE AS A KISS': THE CHALLENGE OF THE MAIDS'GYN/AFFECTION IN MARGARET ATWOOD'S THE PENELOPIAD G Rodriguez Salas AMALTEA-REVISTA DE MITOCRITICA 7, 19-34, 2015 | 4 | 2015 |
| EL ENIGMA DE LA FEMINIDAD: LA MÚSICA EN “THE DEAD” DE JAMES JOYCE Y G Rodríguez-Salas Estudios Irlandeses, 90-102, 2006 | 4 | 2006 |
| Introducing narrative techniques through novel and film: Michael Cunningham's the hours and its film adaptation GR Salas, MER Martín Greta: revista para profesores de inglés 12 (1), 25-30, 2004 | 4 | 2004 |
| Sandra Cisneros y su nueva definición de los estereotipos chicanos de género en Woman Hollering Creek G Rodríguez Salas | 4 | 2001 |
