‪Emily Worthington‬ - ‪Google Scholar‬

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Emily Worthington

Emily Worthington

University of Huddersfield

Verified email at hud.ac.uk - Homepage

Musicology Music performance


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The modernisation of wind playing in London orchestras, 1909–1939: A study of playing style in early orchestral recordings EC Worthington University of York, 2013	4	2013
‘The Uttermost Perfection of All Wind Instruments’: Franz Tausch (1762–1817) as Virtuoso Clarinettist and Director of The Conservatorium Der BlÄSeinstrumente in Berlin E Worthington Music and Letters 101 (2), 238-269, 2020	1	2020
Beethoven Transformed: Vol. 2 E Worthington		2020
Music for a Prussian Salon: Franz Tausch in Context E Worthington, F Mitchell, R Percival, A Scott, K Goldsmith		2016
Lecture-Recital: Learning to sing with another voice: embodying early recorded style using original instruments E Worthington		2016
Do it how you like, but make it beautiful’: a pluralist and performer-centric approach to historically-informed Brahms E Worthington		2015
(Re-) Constructing Richard Mühlfeld? Rubato and Rhythmic Freedom in Brahms’s Clarinet Sonata Op. 120 No. 2 Mvt. 1.[Lecture-recital] E Worthington		2015
Orchestrating British Musical Identity: Boult and the BBC Symphony Orchestra, 1930–39 E Worthington		2015
Catch me if you can: Rubato and ensemble flexibility among British clarinettists on record, 1898-1953 E Worthington		2014

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