| The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types: Puy The Ontology of Musical Versions N GARCÍA‐CARRIL PUY The Journal of Aesthetics and Art Criticism 77 (3), 241-254, 2019 | 25 | 2019 |
| Methodological worries on recent experimental philosophy of music NGC Puy Philosophical psychology 35 (3), 410-441, 2022 | 5 | 2022 |
| Nested Types and Musical Versions: Replying to Davies’s Challenges NGC Puy The Journal of Aesthetics and Art Criticism 79 (2), 256-260, 2021 | 5 | 2021 |
| Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music: García‐Carril Puy The Ontology of Music NGC PUY The Journal of Aesthetics and Art Criticism 78 (2), 183-196, 2020 | 5 | 2020 |
| Musical Versions and Transcriptions: Disputing Stephen Davies’ Account NG Puy Debates in Aesthetics 13 (1), 33-51, 2017 | 5 | 2017 |
| Interpretive Authenticity: Performances, Versions, and Ontology NGC Puy Estetika: The European Journal of Aesthetics 59 (2), 135-152, 2022 | 4 | 2022 |
| Musical works, types and modal flexibility reconsidered NGC Puy The Journal of Aesthetics and Art Criticism 80 (3), 295-308, 2022 | 2 | 2022 |
| Julian Dodd. Being true to works of music NGC Puy | 2 | 2021 |
| On the ontological category of computer-generated music scores NGC Puy Journal of Creative Music Systems 1 (2), 2017 | 2 | 2017 |
| Descriptivism and the Determination Thesis: an Untenable Marriage in the Metaontology of Art NGC Puy The Philosophical Quarterly 72 (3), 595-614, 2022 | 1 | 2022 |
| Nested Types and Musical Versions: Replying to Davies's Challenges N Garcia-Carril Puy JOURNAL OF AESTHETICS AND ART CRITICISM 79 (2), 256-260, 2021 | 1 | 2021 |
| Against Hazlett’s Argument: Musical Works Qua Types are Modally Flexible Entities NGC Puy European Society for Aesthetics 10, 2018 | 1 | 2018 |
| Nested Types, Modal Claims and Musical Works. Another Go NGC Puy The Journal of Aesthetics and Art Criticism 81 (3), 400-403, 2023 | | 2023 |
| From literal to metaphorical exemplification in music: a reply to Young NGC Puy Quando há arte! Ensaios de homenagem a Maria do Carmo d'Orey, 269–280, 2023 | | 2023 |
| El arte conceptual como teoría contemporánea del arte N García-Carril Puy Tecnos, 2022 | | 2022 |
| Ethical Issues on Musical Appropriation NGC Puy Disputatio 13 (62), 329-354, 2021 | | 2021 |
| Eliminating Martin’s substratum-trope categorial ontology NGC Puy Synthese 199 (5), 13009-13033, 2021 | | 2021 |
| Eliminating Martin’s substratum-trope categorial ontology N García-Carril Puy Springer, 2021 | | 2021 |
| Julian Dodd. Being True to Works of Music N García-Carril Puy The Journal of Aesthetics and Art Criticism 79 (2), 268-272, 2021 | | 2021 |
| Ethical Issues on Musical Appropriation N García-Carril Puy | | 2021 |
