| Jibon Thekey Neya (Glimpses of Life, 1970): The First Political Film in Pre-Liberation Bangladesh and a Cinematic Metaphor for Nationalist Concerns F Akhter Journal of the Asiatic Society of Bangladesh (Hum.) 59 (2), 291−303, 2014 | 9 | 2014 |
| South Asian Filmscapes: Transregional Encounters EH Chowdhury, EN De University of Washington Press, 2020 | 6 | 2020 |
| 12 Zahir Raihan's Stop Genocide (1971) F Akhter South Asian Filmscapes: Transregional Encounters, 233-49, 2020 | 5 | 2020 |
| Agami (The Time Ahead, 1984), the First “Short Film” of Bangladesh: Toward a New Cinematic Aesthetic of Imaging Time and Nation F Akhter BioScope: South Asian Screen Studies 10 (1), 11–29, 2019 | 4 | 2019 |
| The construction of the ‘new Bengali woman’ in Nasiruddin Yousuff’s Guerrilla (2011) F Akhter South Asian Popular Culture 13 (3), 199-216, 2015 | 4 | 2015 |
| Panning from the past to the present: The climate, context and concept of Bangladeshi National Cinema F Akhter Shilpakala, xxii, 49-67, 2014 | 3 | 2014 |
| Framing Pain as Spectacle: The Aesthetics of Wartime Films of Bangladesh F Akhter Bangladesh Film Archive Journal 7, 38-50, 2014 | 2 | 2014 |
| Fragmented Memory, Incomplete History: Women and Nation in War Films of Bangladesh F Akhter University of Essex, 2017 | 1 | 2017 |
| জহির রায়হান-এর বেহুলা (১৯৬৬) এক সংগ্রামী নারীর চিত্রালেখ্য: লোকপুরাণ আর মেলোড্রামার মিশ্রণে বাঙালির আত্মপরিচয় উদ্বোধনের চলচ্চিত্র [The Portrait of a Revolutionary Woman in … F Akhter Bangla Academy Folklore Patrika 5 (1), 90-113, 2023 | | 2023 |
| সূর্য দীঘল বাড়ী (১৯৭৯) চলচ্চিত্রের আখ্যান ও আঙ্গিকে নব্যবাস্তববাদী চলচ্চিত্ররীতির শিল্পরূপ অনুসন্ধান [Surja Dighal Bari (The Ominous House, 1979): Exploring Neorealist … F Akhter Theatre Studies Journal, 75-114, 2023 | | 2023 |
| "বাংলাদেশে চলচ্চিত্র পরিচালনায় নারী: প্রেক্ষাপট, প্রতিকূলতা ও সম্ভাবনা অনুসন্ধান” [Women Filmmakers in Bangladesh: Exploring the Context, Challenges and Prospects] F Akhter নারী ও প্রগতি/ Nari O Progati 19 (37), pp.28-56, 2023 | | 2023 |
| ঋত্বিক ঘটকের তিতাস একটি নদীর নাম (১৯৭৩) চলচ্চিত্র: মালো জীবন-বাস্তবতার মহাকাব্যিক নির্মাণ [Ritwik Ghatak’s Titash Ekti Nadir Naam (A River Called Titas, 1973): The Making of an … ফাহমিদা আক্তার The Jahangirnagar Review, Part-C 32, 25-56, 2023 | | 2023 |
| Bangabandhu through the eyes of Japanese filmmaker, Nagisa Oshima F Akhter The Daily Star, 2023 | | 2023 |
| Muktijuddhokaleen Chalachchitra: Nirmatar Drishtikon O Rashtravede Itihash Nirmaner Shwarup [The Films Made During the Liberation War: The Perspectives and History Making … F Akhter Clio: Jahangirnagar University Journal of the Department of History 38, 125-158, 2021 | | 2021 |
| Alamgir Kabirer Niyom Bhangar Chalachchitra Shimana Periye (1977) [Shimana Periye (Across the Fringe, 1977), a Rule Breaking Film by Alamgir Kabir] F Akhter Jahangirnagar Review Part-C 31, 85-126, 2020 | | 2020 |
| Interpretive framework in Muktir Gaan (Song of Freedom, 1995): (Re)vision of history and gender by a popular documentary film on the Liberation War of Bangladesh F Akhter South Asian Popular Culture 17 (3), 227-246, 2019 | | 2019 |
| Alamgir Kabirer Chalachchitra [The Films of Alamgir Kabir] F Akhter | | 2019 |
| 'Shurjokonna’: Moddhobitter Abodomito Akangkha o Fantasyr Monobishleshon [‘Surjokannya (Daughter of the Sun, 1976)’ by Alamgir Kabir: Psychoanalysis of the Suppressed Desires … F Akhter Bangladesh Film Archive Journal, 88−99, 2015 | | 2015 |
| 'Us'[winner of the Equality and Diversity Photographic Competition at the University of Essex 2013] F Akhter | | 2015 |
| Flashback: A Brief History of Cinema in Bangladesh Before Its Formation (1896-1970) F Akhter Celluloid, 2014 | | 2014 |
