| Colonialism and the Bible: Contemporary reflections from the global south ME Andraos, NE Bedford, CFC Orlandi, ES Fernandez, N Kim, ... Lexington Books, 2018 | 14 | 2018 |
| Ethics and responsibility: The feminization of the new Israeli Documentary Y Munk israel studies 16 (2), 151-164, 2011 | 13 | 2011 |
| The privatization of war memory in recent Israeli cinema Y Munk Israeli Cinema: Identities in Motion, 96-110, 2011 | 9 | 2011 |
| Israeli Cinema at the Turn of the Millennium Y Munk Ra’anana: Open University of Israel, 2012 | 8 | 2012 |
| The Postcolonial Function of Television's Virtual Space in'90s Israeli Cinema Y Munk Framework: The Journal of Cinema and Media 49 (1), 83-92, 2008 | 8 | 2008 |
| Major Trends in Contemporary Israeli Cinema Y Munk Routledge Encyclopedia of Modern Jewish Culture, New York and London, 162-165, 2005 | 8 | 2005 |
| Translated Memories: Transgenerational Perspectives on the Holocaust A Ranasinghe, C Ascher, D Feldman, B Arich-Gerz, R Margolis, ... Lexington Books, 2020 | 7 | 2020 |
| Fauda: the Israeli occupation on a Prime Time Television Drama;or, the melodrama of the enemy Y Munk New Review of Film and Television Studies 17 (4), 481-495, 2019 | 7 | 2019 |
| Exiled in Their Borders: Israeli Cinema at the Turn of the Century Y Munk Hebrew.] Ra’anana: Open University Press, 2012 | 7 | 2012 |
| Israeli cinema engaging the conflict N Gertz, Y Munk Film in the Middle East and North Africa, 154-166, 2011 | 7 | 2011 |
| From national heroes to postnational witnesses: A reconstruction of Israeli soldiers' cinematic narratives as witnesses of history Y Munk Narratives of Dissent, 300-316, 2012 | 6 | 2012 |
| Israeli Cinema: Hebrew Identity/Jewish Identity Y Munk, N Gertz Hebrew.] In New Jewish Time: Culture in a Secular Age 3, 269-276, 2007 | 6 | 2007 |
| Arnon Goldfinger’s The Flat: Holocaust Memory, Film Noir, and the Pain of Others Y Munk Jewish Film & New Media 4 (1), 25-42, 2016 | 5 | 2016 |
| Avanti Popolo: battle cry of the fallen J Ne'eman, Y Munk Film in the Middle East and North Africa, 177-186, 2011 | 5* | 2011 |
| “Dreamers Often Lie”: On “Compromise”, the subversive documentation of an Israeli-Palestinian political adaptation of Shakespeare’s Romeo and Juliet Y Munk Altre Modernità, 174-181, 2010 | 5 | 2010 |
| Le retour du cinéma israélien vers le judaïsme Y Munk Cahiers du judaïsme 20, 4-10, 2006 | 5 | 2006 |
| Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema Z Ingle, O Landesman, S Duvdevani, N Alexander, J Beaty, N Dushi, ... Indiana University Press, 2021 | 3 | 2021 |
| In the face of violence: a political reading of IDF women soldiers in two Israeli films of the 2000s Y Munk Feminist Media Studies 19 (8), 1144-1158, 2019 | 3 | 2019 |
| Border cinema: reimagining identity through aesthetics FL Aldama, J Capino, RL Fregoso, N Gertz, JH Vargas, M Hassapopoulou, ... Rutgers University Press, 2019 | 3 | 2019 |
| False nostalgia and cultural amnesia: the city of Tel Aviv in Israeli cinema of the 1990s Y Munk Shofar, 130-143, 2006 | 3 | 2006 |
