| Dose‐ranging study of Indole‐3‐Carbinol for breast cancer prevention GYC Wong, L Bradlow, D Sepkovic, S Mehl, J Mailman, MP Osborne Journal of cellular biochemistry 67 (S28‒29), 111-116, 1997 | 228 | 1997 |
| Temporal dynamic form in music: atonal, tonal, and other J Mailman | 28 | 2010 |
| An Imagined Drama of Competitive Opposition in Carter's Scrivo in Vento, with Notes on Narrative, Symmetry, Quantitative Flux and Heraclitus JB Mailman Music Analysis 28 (2‐3), 373-422, 2009 | 27 | 2009 |
| Agency, Determinism, Focal Time Frames, and Processive Minimalist Music JB Mailman Music and Narrative since 1900, 125-143, 2013 | 25 | 2013 |
| Seven Metaphors for (Music) Listening: DRAMaTIC JB Mailman Journal of Sonic Studies 2 (1), a03, 2012 | 25 | 2012 |
| Dose-ranging study of indole-3-carbinol for breast cancer prevention GYC Wong, L Bradlow, D Sepkovic, S Mehl, J Mailman, MP Osborne J Cell Biochem Suppl, 28-29, 1998 | 22 | 1998 |
| Improvising Synesthesia: Comprovisation of Generative Graphics and Music JB Mailman Leonardo Electronic Almanac 19 (3), 352-384, 2013 | 16 | 2013 |
| Babbitt’s Beguiling Surfaces, Improvised Inside JB Mailman SMT-V: Society for Music Theory Videocast Journal 5 (1), 5, 2019 | 14 | 2019 |
| Cybernetic phenomenology of music, embodied speculative realism, and aesthetics-driven techné for spontaneous audio-visual expression JB Mailman Perspectives of New Music 54 (1), 5-95, 2016 | 13 | 2016 |
| Portmantonality and Babbitt's Poetics of Double Entendre. JB Mailman Music Theory Online 26 (2), 2020 | 11 | 2020 |
| Repetition in music: Theoretical and metatheoretical perspectives JB Mailman Psychology of Music 35 (2), 363-375, 2007 | 10 | 2007 |
| Pragmatist Ironist Analysis and (Re-)Embodied Interactivity: Experimental Approaches to Sensor-Based Interactive Music Systems Inspired by Music Analysis JB Mailman Music, Analysis, and the Body: Experiments, Explorations, and Embodiments …, 2018 | 9 | 2018 |
| Schoenberg's Chordal Experimentalism Revealed Through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching JB Mailman Music Theory Spectrum 37 (2), 224-252, 2015 | 9 | 2015 |
| Emergent Flux Projecting Form in Ruth Crawford Seeger’s Quartet (1931) JB Mailman Society for Music Theory, Indianapolis, IN, 2010 | 8 | 2010 |
| Interactive Computer Simulation for Kinesthetic Learning to Perceive Unconventional Emergent Form-bearing Qualities in Music by Crawford Seeger, Carter, Ligeti, and Others JB Mailman Proceedings of the International Conference on Music Perception and …, 2012 | 7 | 2012 |
| The fluxations stochastic interactive algorithmic music engine (SIAME) and iphone app JB Mailman Proceedings of the 9th Sound and Music Computing Conference (SMC), 138-45, 2012 | 6 | 2012 |
| Chapter 5: Continuous Movement, Fluid Music and Expressive Immersive Interactive Technology: The Sound and Touch of Ether's Flux JB Mailman, S Paraskeva Sound, Music and the Moving-Thinking Body, 35-51, 2013 | 5* | 2013 |
| Dynamic Form (Flux of vertical cellularity in Isaac’s Quis Dabit and flux of pitch freshness) JB Mailman Northeast Music Cognition Group, Yale University, 2010 | 5 | 2010 |
| A Short History of Babbaptations JB Mailman Contemporary Music Review 40 (2–3), 2021 | 3 | 2021 |
| Babbitt's Canonical Form Revisited: Codes and Metaphors for Epistemology JB Mailman Perspectives of New Music 58 (2), 215-245, 2020 | 3 | 2020 |
