| O let us howle some heavy note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage AE Winkler Indiana University Press, 2006 | 96 | 2006 |
| Beyond boundaries: Rethinking music circulation in early modern England LP Austern, C Bailey, AE Winkler Indiana University Press, 2017 | 23 | 2017 |
| Music, Dance, and Drama in Early Modern English Schools AE Winkler Cambridge University Press, 2020 | 15 | 2020 |
| Music for Macbeth AE Winkler AR Editions, Inc., 2004 | 15 | 2004 |
| ‘O ravishing delight’: the politics of pleasure in The Judgment of Paris AE Winkler Cambridge Opera Journal 15 (1), 15-31, 2003 | 15 | 2003 |
| Sexless spirits?: Gender ideology and Dryden's musical magic AE Winkler The Musical Quarterly 93 (2), 297-328, 2010 | 11 | 2010 |
| Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company AE Winkler, R Schoch Bloomsbury Academic, 2021 | 10 | 2021 |
| Gender and genre: Musical conventions on the English stage, 1660–1705 ALE Winkler University of Michigan, 2000 | 8 | 2000 |
| Politics and the Reception of Andrew Lloyd Webber’s The Phantom of the Opera AE Winkler Cambridge Opera Journal 26 (3), 271-287, 2014 | 5 | 2014 |
| Enthusiasm and Its Discontents: Religion, Prophecy, and Madness in the Music for Sophonisba and The Island Princess AE Winkler Journal of Musicology 23 (2), 307-330, 2006 | 5 | 2006 |
| Courtly connections: Queen Anne, music, and the public stage AE Winkler Beyond Boundaries: Rethinking Music Circulation in Early Modern England, 185-204, 2017 | 4 | 2017 |
| 'Our Friend Venus Performed to a Miracle’: Anne Bracegirdle, John Eccles, and Creativity AE Winkler Concepts of Creativity in Seventeenth-Century England, 255-280, 2013 | 4 | 2013 |
| Society and Disorder AE Winkler Ashgate Research Companion to Henry Purcell, 269–302, 2012 | 4* | 2012 |
| The Intermedial Dramaturgy of Dramatick Opera AE Winkler Restoration: Studies in English Literary Culture, 1660-1700 42 (2), 13-38, 2018 | 3 | 2018 |
| Madness ‘Free from Vice’: Musical Eroticism in the Pastoral World of The Fickle Shepherdess AE Winkler The Lively Arts of the London Stage, 1675-1725, 149-169, 2014 | 3 | 2014 |
| From Whore to Stuart Ally: Musical Venuses on the Early Modern English Stage AE Winkler Musical Voices of Early Modern Women, 171-186, 2005 | 3* | 2005 |
| Dangerous Performance: Cupid in Early Modern Pedagogical Masques AE Winkler Gender and Song in Early Modern England, 77-91, 2014 | 2 | 2014 |
| Music and Politics in George Granville’s The British Enchanters AE Winkler Queen Anne and the Arts, 187-204, 2014 | 2 | 2014 |
| Syncopated time: Staging the restoration Tempest AE Winkler, R Schoch Performing Restoration Shakespeare, 180, 2023 | 1 | 2023 |
| Performing Restoration Shakespeare AE Winkler, C Fretz, R Schoch Cambridge University Press, 2023 | 1 | 2023 |
