The death and life of the music industry in the digital age J Rogers A&C Black, 2013 | 203 | 2013 |
Social networks, legal innovations and the “new” music industry P Preston, J Rogers info 13 (6), 8-19, 2011 | 35 | 2011 |
Crisis, digitalisation and the future of the internet P Preston, J Rogers info 14 (6), 73-83, 2012 | 21 | 2012 |
Same tune, different words: The creative destruction of the music industry J Rogers, S Sparviero Observatorio (OBS*) Journal 5 (4), 001-030, 2011 | 18 | 2011 |
Crisis and creative destruction: new modes of appropriation in the twenty-first century music industry J Rogers, P Preston Business innovation and disruption in the music industry, 53-72, 2016 | 16 | 2016 |
Understanding innovation in communication industries through alternative economic theories: The case of the music industry J Rogers, S Sparviero International Communication Gazette 73 (7), 610-629, 2011 | 15 | 2011 |
The significance of small differences: Cultural diversity and broadcasting in Ireland J Rogers, N O’Boyle, P Preston, F Fehr European Journal of Communication 29 (4), 399-415, 2014 | 13 | 2014 |
Canary down the mine: Music and copyright at the digital coalface J Rogers Socialism and Democracy 28 (1), 34-50, 2014 | 12 | 2014 |
Convergence, crisis and the digital music economy P Preston, J Rogers Media and convergence management, 247-260, 2013 | 12 | 2013 |
A Critical Guide to Intellectual Property M Callahan, J Rogers Bloomsbury Publishing, 2017 | 9 | 2017 |
Deconstructing the music industry ecosystem J Rogers Media convergence and deconvergence, 217-239, 2017 | 9 | 2017 |
Who needs or delivers diversity training? The views of European journalists N O'Boyle, F Fehr, P Preston, J Rogers Journalism Practice 7 (3), 300-313, 2013 | 7 | 2013 |
The three Cs of key music sector trends today: commodification, concentration and convergence P Preston, J Rogers Global Media Convergence and Cultural Transformation: Emerging Social …, 2011 | 5* | 2011 |
New Irish in the News N O'Boyle, J Rogers, P Preston, F Fehr Irish Communication Review 14 (1), 1, 2014 | 4 | 2014 |
A song for Ireland? Policy discourse and wealth generation in the music industry in the context of digital upheavals and economic crisis J Rogers, A Cawley Networked Music Cultures: Contemporary Approaches, Emerging Issues, 189-208, 2016 | 2 | 2016 |
‘THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAME’: WHERE POWER LIES IN THE TWENTY-FIRST CENTURY MUSIC INDUSTRY J Rogers THE STATE OF THE MUSIC INDUSTRY, 33, 2014 | 2 | 2014 |
Copyright, social networks and the ‘new’music industry? J Rogers, P Preston presentation at the EuroCPR, 2011 | 2 | 2011 |
Intellectual property rights and the shaping of the digital Music domain J Rogers Political Economy Section. Knowledge Societies for all: Media and …, 2006 | 2 | 2006 |
Re-conceptualizing the record industry: Audio-visual nexus in an evolving digital environment JIM ROGERS My Kind of Sound: Popular Music and Audiovisual Culture, 60, 2020 | 1 | 2020 |
Re-thinking crisis in the digital economy: a contemporary case study of the phonographic industries in Ireland. J Rogers Dublin City University, 2010 | 1 | 2010 |