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John Rahn
John Rahn
Emeritus Professor of Music, University of Washington; Editor, Perspectives of New Music
Verified email at uw.edu
Title
Cited by
Cited by
Year
Basic atonal theory
J Rahn
(No Title), 1980
7121980
Contemporary music and the public
M Foucault, P Boulez, J Rahn
Perspectives of New Music, 6-12, 1985
1131985
Relating sets
J Rahn
Perspectives of New Music, 483-498, 1979
861979
Xenakis on Xenakis
I Xenakis, R Brown, J Rahn
Perspectives of New Music, 16-63, 1987
741987
Repetition
J Rahn
Music Inside Out, 7-19, 2014
662014
Aspects of Musical Explanation
J Rahn
Perspectives of New Music, 204-224, 1979
511979
On pitch or rhythm: interpretations of orderings of and in pitch and time
J Rahn
Perspectives of New Music, 182-203, 1975
491975
Logic, set theory, music theory
J Rahn
Music Inside Out, 109-125, 2014
422014
Sieves
I Xenakis, J Rahn
Perspectives of New Music, 58-78, 1990
391990
Music inside out: Going too far in musical essays
J Rahn, B Boretz
Routledge, 2014
342014
On some computational models of music theory
J Rahn
Computer Music Journal 4 (2), 66-72, 1980
311980
The swerve and the flow: Music's relationship to mathematics
J Rahn
Perspectives of New Music, 130-148, 2004
262004
What is valuable in art, and can music still achieve it?
J Rahn
Music Inside Out, 147-159, 2014
252014
Notes on methodology in music theory
J Rahn
Journal of Music Theory 33 (1), 143-154, 1989
241989
New research paradigms
J Rahn
Music Inside Out, 83-99, 2014
192014
Cool tools: Polysemic and non-commutative Nets, subchain decompositions and cross-projecting pre-orders, object-graphs, chain-hom-sets and chain-label-hom-sets, forgetful …
J Rahn
Journal of Mathematics and Music 1 (1), 7-22, 2007
172007
Lines (of and about Music).
J Rahn
Princeton University, 1974
171974
How do you DU (by Milton Babbitt)?
J Rahn
Perspectives of New Music, 61-80, 1976
16*1976
Contemporary Music and the Public
P Boulez, M Foucault, J Rahn
Perspectives of New Music 24 (1), 6-13, 1985
141985
“Mille Plateaux, You Tarzan: A Musicology of (An Anthropology of (An Anthropology of A Thousand Plateaus)).”
J Rahn
Perspectives of New Music 46 (2), 250, 2008
132008
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