Basic atonal theory J Rahn (No Title), 1980 | 712 | 1980 |
Contemporary music and the public M Foucault, P Boulez, J Rahn Perspectives of New Music, 6-12, 1985 | 113 | 1985 |
Relating sets J Rahn Perspectives of New Music, 483-498, 1979 | 86 | 1979 |
Xenakis on Xenakis I Xenakis, R Brown, J Rahn Perspectives of New Music, 16-63, 1987 | 74 | 1987 |
Repetition J Rahn Music Inside Out, 7-19, 2014 | 66 | 2014 |
Aspects of Musical Explanation J Rahn Perspectives of New Music, 204-224, 1979 | 51 | 1979 |
On pitch or rhythm: interpretations of orderings of and in pitch and time J Rahn Perspectives of New Music, 182-203, 1975 | 49 | 1975 |
Logic, set theory, music theory J Rahn Music Inside Out, 109-125, 2014 | 42 | 2014 |
Sieves I Xenakis, J Rahn Perspectives of New Music, 58-78, 1990 | 39 | 1990 |
Music inside out: Going too far in musical essays J Rahn, B Boretz Routledge, 2014 | 34 | 2014 |
On some computational models of music theory J Rahn Computer Music Journal 4 (2), 66-72, 1980 | 31 | 1980 |
The swerve and the flow: Music's relationship to mathematics J Rahn Perspectives of New Music, 130-148, 2004 | 26 | 2004 |
What is valuable in art, and can music still achieve it? J Rahn Music Inside Out, 147-159, 2014 | 25 | 2014 |
Notes on methodology in music theory J Rahn Journal of Music Theory 33 (1), 143-154, 1989 | 24 | 1989 |
New research paradigms J Rahn Music Inside Out, 83-99, 2014 | 19 | 2014 |
Cool tools: Polysemic and non-commutative Nets, subchain decompositions and cross-projecting pre-orders, object-graphs, chain-hom-sets and chain-label-hom-sets, forgetful … J Rahn Journal of Mathematics and Music 1 (1), 7-22, 2007 | 17 | 2007 |
Lines (of and about Music). J Rahn Princeton University, 1974 | 17 | 1974 |
How do you DU (by Milton Babbitt)? J Rahn Perspectives of New Music, 61-80, 1976 | 16* | 1976 |
Contemporary Music and the Public P Boulez, M Foucault, J Rahn Perspectives of New Music 24 (1), 6-13, 1985 | 14 | 1985 |
“Mille Plateaux, You Tarzan: A Musicology of (An Anthropology of (An Anthropology of A Thousand Plateaus)).” J Rahn Perspectives of New Music 46 (2), 250, 2008 | 13 | 2008 |