| Politics as Form in Lars Von Trier: A Post-Brechtian Reading A Koutsourakis Bloomsbury, 2013 | 67 | 2013 |
| Cinema of the Body: The Politics of Performativity in Lars von Trier’s Dogville and Yorgos Lanthimo’s Dogtooth A Koutsourakis Cinema: Journal of Philosophy and the Moving Image 3, 84-108, 2012 | 29 | 2012 |
| Rethinking Brechtian film theory and cinema A Koutsourakis Edinburgh University Press, 2018 | 26 | 2018 |
| Brecht Today: Interview with Alexander Kluge A Koutsourakis Film-Philosophy 15 (1), 220-228, 2011 | 14 | 2011 |
| 'A Film Should be Like a Stone in Your Shoe': A Brechtian Reading of Lars Von Trier A Koutsourakis University of Sussex, 2011 | 11 | 2011 |
| The Cinema of Theo Angelopoulos MS Angelos Koutsourakis (eds) Edinburgh University Press, 2015 | 10 | 2015 |
| Visualizing the Anthropocene Dialectically: Jessica Woodworth and Peter Brosens’ Eco-Crisis Trilogy A Koutsourakis Film-Philosophy 21 (3), 299-325, 2017 | 8 | 2017 |
| The dialectics of cruelty: Rethinking artaudian cinema A Koutsourakis Cinema Journal 55 (3), 65-89, 2016 | 8 | 2016 |
| Politics and open-ended dialectics in Lars von Trier's Dogville: a post-Brechtian critique A Koutsourakis New Review of Film and Television Studies 11 (3), 334-353, 2013 | 8 | 2013 |
| ‘You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible’: Lars von Trier's Critique of the European Narrative of Progress in His Europa Trilogy A Koutsourakis Journal of Contemporary European Studies 20 (4), 517-535, 2012 | 6 | 2012 |
| History as transition: Brechts Historisierung in Straub/Huillets Not Reconciled (1965), and Angelopoulos The Hunters (1977) A Koutsourakis Studies in European Cinema 9 (2-3), 2-3, 2012 | 6 | 2012 |
| Modernist belatedness in contemporary slow cinema A Koutsourakis Screen 60 (3), 388-409, 2019 | 5 | 2019 |
| The Cultural Techniques Of Gesture In Aki Kaurismäki’s Proletarian Trilogy A Koutsourakis The Films of Aki Kaurismäki: Ludic Engagements//Bloomsbury Academic, 117-136, 2018 | 5 | 2018 |
| Utilizing the ‘Ideological Antiquity’: Rethinking Brecht and Film Theory A Koutsourakis Monatshefte 107 (2), 242-269, 2015 | 4 | 2015 |
| The Crisis of the Individual as a Precept of Political Cinema:" Kuhle Wampe"(1932) and" Monsieur Verdoux"(1947) A Koutsourakis Film Criticism 39 (3), 26-47, 2015 | 4 | 2015 |
| The Gestus of Showing: Brecht, Tableaux and Early Cinema in Angelopoulos’ Political Period (1970–80) A Koutsourakis The Cinema of Theo Angelopoulos, 64-79, 2015 | 4 | 2015 |
| John Cassavetes: the first Dogme director? A Koutsourakis Bright Lights Film Journal 63, 2009 | 4 | 2009 |
| Introduction: European cinema and post-democracy A Koutsourakis Studies in European Cinema 16 (3), 173-180, 2019 | 3 | 2019 |
| The Ethics and Politics of Negation: the Postdramatic on Screen A Koutsourakis SubStance 45 (3), 155-173, 2016 | 3 | 2016 |
| Shirley Clarke A Koutsourakis Senses of Cinema 65, 2012 | 3 | 2012 |
