| Dismantlings: Words against machines in the American long seventies M Tierney Cornell University Press, 2019 | 21 | 2019 |
| What Lies Between: Void Aesthetics and Postwar Post-Politics M Tierney Rowman & Littlefield, 2014 | 16 | 2014 |
| Dispossessed citation and mutual aid M Tierney Diacritics 48 (3), 94-115, 2020 | 3 | 2020 |
| Cyberculture in the large world house M Tierney Configurations 26 (2), 179-206, 2018 | 2 | 2018 |
| " Oh no, not again": representability and a repetitive remark M Tierney Image & Narrative 11 (2), 150-164, 2010 | 2 | 2010 |
| The Terror that makes one whatever one is: Sterling Hayden's emotional testimonies M Tierney Camera obscura: Feminism, culture, and media studies 30 (2), 157-187, 2015 | 1 | 2015 |
| The Twenty-First Century M Tierney The Palgrave Handbook of Utopian and Dystopian Literatures, 149-162, 2022 | | 2022 |
| The Present Is a Void: Americanist Criticism, Unfinished and Half in Ruin M Tierney Cultural Critique 95, 131-161, 2017 | | 2017 |
| Introduction: Medium and Mediation M Tierney, M Nilges Postmodern Culture 25 (2), 2015 | | 2015 |
| True to the Spirit: Film Adaptation and the Question of Fidelity M Tierney Film Criticism 37 (2), 67-70, 2012 | | 2012 |
| Eclipse of the Eclipse of Distance: Talking Politics in a Global Village M Tierney | | 2012 |
| Dark Borders: Film Noir and American Citizenship M Tierney Film Criticism 36 (2), 84-87, 2011 | | 2011 |
