| The Computer's Voice: From Star Trek to Siri LW Faber U of Minnesota Press, 2020 | 33 | 2020 |
| From" Star Trek" to Siri:(Dis) embodied gender and the acousmatic computer in science fiction film and television LW Faber Southern Illinois University at Carbondale, 2013 | 7 | 2013 |
| Cultural competence education for health professionals: Summary of a cochrane review. LW Faber Explore (New York, NY) 17 (4), 383-384, 2021 | 4 | 2021 |
| When Robots Choose to Die: A Survey of Robot Suicide in Science Fiction LW Faber PCA/ACA National Conference, 2019 | 2 | 2019 |
| Networking the Counterculture: The 1970 Alternative Media Conference at Goddard College LW Faber, JL Hochheimer Journal of Radio & Audio Media 23 (2), 200-212, 2016 | 2 | 2016 |
| Augmenting Human Pedagogy: A Cultural History of Automation in Teaching LW Faber Popular Culture Studies Journal 9 (1), 44-62, 2021 | 1 | 2021 |
| Kitchen Sink, or the postmodern Prometheus: Alison Maclean's reimagining of Mary Shelley's Frankenstein via the cinematic horror genre L Faber Short Film Studies 2 (1), 79-82, 2012 | 1 | 2012 |
| Reboot and Rebirth: Artificial Intelligence and Spiritual Existence in The Good Place LW Faber Virtual Identities and Digital Culture, 256-262, 2023 | | 2023 |
| 26 Reboot and Rebirth LW Faber Virtual Identities and Digital Culture, 2023 | | 2023 |
| Robot Suicide: Death, Identity, and AI in Science Fiction LW Faber Rowman & Littlefield, 2023 | | 2023 |
| This Aura Sucks: Narrative Cinema and Popular Poetry L Faber Verse, Voice, and Vision: Poetry and the Cinema, pp. 43-56, 2013 | | 2013 |
| The spectre of death: Suppression of bodily death through representations of the afterlife in “Ghostbusters”,“Beetlejuice”, and “Ghost” LW Faber West Virginia University, 2009 | | 2009 |
| Introduction to the Special Issue on Robots and Labor L FABER Labor, 5, 0 | | |
