| The Archive Effect: Found Footage and the Audiovisual Experience of History J Baron Routledge, 2013 | 455 | 2013 |
| The archive effect: Archival footage as an experience of reception J Baron Projections 6 (2), 102-120, 2012 | 59 | 2012 |
| Contemporary Documentary Film and" Archive Fever": History, the Fragment, the Joke J Baron The Velvet Light Trap 60 (1), 13-24, 2007 | 37 | 2007 |
| Digital historicism: Archival footage, digital interface, and historiographic effects in Call of Duty: World at War JR Baron Eludamos: Journal for Computer Game Culture 4 (2), 303-314, 2010 | 29 | 2010 |
| The Archive Effect J Baron New York: Routledge 7, 173-177, 2014 | 28 | 2014 |
| Reuse, misuse, abuse: The ethics of audiovisual appropriation in the digital era J Baron Rutgers University Press, 2020 | 27 | 2020 |
| The experimental film remake and the digital archive effect: A movie by Jen Proctor and Man with a Movie Camera: The Global Remake J Baron Framework: The Journal of Cinema and Media 53 (2), 467-490, 2012 | 16 | 2012 |
| Subverted Intentions and the Potential for “Found” Collectivity in Natalie Bookchin’s Mass Ornament J Baron Maska: Performing Arts Journal 26 (143-144), 303-314, 2011 | 8 | 2011 |
| The image as direct quotation: Identity, transformation, and the case for fair use J Baron Frames Cinema Journal 1 (1), 11-21, 2012 | 7 | 2012 |
| Media ventriloquism: How audiovisual technologies transform the voice-body relationship J Baron, J Fleeger, SW Lerner Oxford University Press, 2021 | 6 | 2021 |
| Kedi: A docalogue J Baron, K Fuhs Routledge, 2021 | 2 | 2021 |
| Introduction: Theorizing media ventriloquism J Baron, J Fleeger, SW Lerner Media Ventriloquism: How Audiovisual Technologies Transform the Voice-Body …, 2021 | 2 | 2021 |
| The Ethics of Appropriation:“Misusing” the Found Document in Suitcase of Love and Shame and A Film Unfinished J Baron Contemporary Documentary, 156-170, 2015 | 2 | 2015 |
| (In)appropriation: Productions of Laughter in Contemporary Experimental Found Footage Films J Baron Sampling Media, 168-182, 2014 | 2 | 2014 |
| Translating the Document Across Time and Space J Baron Spectator-The University of Southern California Journal of Film and …, 2010 | 2 | 2010 |
| The Archive Effect: Appropriation Films and the Experience of History JR Baron University of California, Los Angeles, 2010 | 2 | 2010 |
| Honeyland: A Docalogue J Baron, K Fuhs Routledge, 2022 | 1 | 2022 |
| The Supercut and the Irrecoverable Past: Ho Tzu Nyen’s The Nameless and The Name J Baron Afterall: A Journal of Art, Context and Enquiry 51 (1), 24-33, 2021 | 1 | 2021 |
| REUSE, MISUSE, ABUSE B Guaranį, J Baron Film Quarterly 74 (2), 106-112, 2020 | 1 | 2020 |
| I Am Not Your Negro: A Docalogue J Baron, K Fuhs Routledge, 2020 | 1 | 2020 |
