| Sublime Noise: Musical Culture and the Modernist Writer J Epstein JHU Press, 2014 | 74 | 2014 |
| “Neutral Physiognomy": The Unreadable Faces of Middlemarch J Epstein Victorian Literature and Culture 36 (1), 131-148, 2008 | 11 | 2008 |
| Open City's "Abschied": Teju Cole, Gustav Mahler, and Elliptical Cosmopolitanism J Epstein Studies in the Novel 51 (3), 412-432, 2019 | 10 | 2019 |
| Joyce's Phoneygraphs: Music, Mediation, and Noise Unleashed J Epstein James Joyce Quarterly, 265-289, 2011 | 10 | 2011 |
| “We Are a Musical Nation”: Under Milk Wood and the BBC Third Programme J Epstein Modern Drama 62 (3), 249-271, 2019 | 1 | 2019 |
| The Antheil Era: Pound, noise, and musical sensation J Epstein Textual Practice 28 (6), 989-1014, 2014 | 1 | 2014 |
| Duets and Deadness J Epstein The TS Eliot Studies Annual 5 (5), 167-171, 2023 | | 2023 |
| Music: Modernist Remediation and Technologies of Listening J Epstein | | 2022 |
| Listening to Modernism-Syllabus MA Seminar J Epstein | | 2020 |
| Scoured and Cleansed: Ezra Pound and Musical Composition J Epstein The New Ezra Pound Studies, 57-71, 2019 | | 2019 |
| James Joyce and Absolute Music.(Historicizing Modernism) J Epstein The Review of English Studies 69 (292), 1011-1014, 2018 | | 2018 |
| MICHELLE WITEN. James Joyce and Absolute Music J Epstein The Review of English Studies 69 (292), 1011-1014, 2018 | | 2018 |
| Listening and Longing: Music Lovers in the Age of Barnum by Daniel Cavicchi J Epstein Modernism/modernity Print Plus, 2016 | | 2016 |
| David Deutsch. British Literature and Classical Music: Cultural Contexts, 1870–1945. Historicizing Modernism. London: Bloomsbury Academic, 2015. Pp. 272 … J Epstein Journal of British Studies 55 (3), 629-630, 2016 | | 2016 |
