| Sound unbound: sampling digital music and culture PD Miller Mit Press, 2008 | 181 | 2008 |
| The sun never sets: South Asian migrants in an age of US power V Prashad NYU Press, 2013 | 53 | 2013 |
| Fear of a Muslim Planet: Hip-Hop’s Hidden History N Mohaiemen Sound Unbound: Sampling Digital Music and Culture, 313-36, 2008 | 31* | 2008 |
| Flying blind: waiting for a real reckoning on 1971 N Mohaiemen Economic and Political Weekly, 40-52, 2011 | 29 | 2011 |
| Between ashes and hope: Chittagong hill tracts in the blind spot of Bangladesh nationalism N Mohaiemen Drishtipat Writers' Collective, 2010 | 29 | 2010 |
| Lines of Control: Partition as a Productive Space H Nasar, I Dadi Dadi and Nasar, 9-16, 2012 | 24 | 2012 |
| Ranciere, for Dummies B Davis Lokaliseret d 17 (10), 2016, 2006 | 17 | 2006 |
| Simulation at wars’ end: A “Documentary” in the field of evidence quest N Mohaiemen BioScope: South Asian Screen Studies 7 (1), 31-57, 2016 | 16 | 2016 |
| Fragile fourth estate: A history of censorship in Bangladesh (1972–2012) N Mohaiemen Bangladesh’s Changing Mediascape: From State Control to Market Forces, 113-132, 2013 | 15 | 2013 |
| CellBazaar: A market in your pocket K Quadir, N Mohaiemen Innovations: Technology| Governance| Globalization 4 (1), 57, 2009 | 13 | 2009 |
| Assuming Boycott: Resistance, Agency, and Cultural Production K Estefan, C Kuoni, L Raicovich Or Books, 2017 | 12 | 2017 |
| Accelerated media and the 1971 Civil War in Bangladesh N Mohaiemen Economic and Political Weekly, 36-40, 2008 | 12 | 2008 |
| Bearing Witness to the (In) visible: Activism and the performance of witness in Islamic orthopraxy D Bennacer Performance Research 13 (3), 64-76, 2008 | 11 | 2008 |
| Supercommunity: Diabolical Togetherness Beyond Contemporary Art J Aranda, BK Wood, A Vidokle Verso Books, 2017 | 10 | 2017 |
| Questionnaire: In what ways have artists, academics, and cultural institutions responded to the US-led invasion and occupation of Iraq? BHD Buchloh, R Churner, Z Bahrani, J Barry, C Bedford, C Bishop, ... October 123, 3-184, 2008 | 10 | 2008 |
| Social medium: artists writing, 2000-2015 J Liese Published in 2016-2016 in Brooklyn New York by Paper Monument, 2016 | 8 | 2016 |
| Prisoners of Shothik Itihash N Mohaiemen Switzerland: Kunsthalle Basel, 2014 | 7 | 2014 |
| Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy F Le Roy, N Wynants, D Hoens, R Vanderbeeken Academia Press, 2011 | 7 | 2011 |
| Turner Prize 2018 Review–No Painting or Sculpture, but the Best Lineup for Years A Searle The Guardian 24, 2018 | 4 | 2018 |
| Elsewhere: Naeem Mohaiemen's Cinematic Resistance B Qureshi Film Quarterly 71 (2), 61-64, 2017 | 3 | 2017 |
